Pixelord

A forthcoming show, hosted by Moscow's Hyperboloid Records, will bring together some luminaries of the bass music scene. They will arrive from Kiev, Melitopol, Tyumen, and - most notably - the streets of London.
Bass tunes and hip-hop instrumentals have arrived from Vladivostok, Moscow, St. Petersburg, and Kiev. Three of them imagine the emotional and mental benefits of intuitive composition. Our fourth artist is less sure.
New chip-tune, bass-, and hip-hop recordings investigate the appeal of difference and distance. How much variation guarantees satisfaction? Deviance, it eventually transpires, has a limit. Liberties reach a dead-end...
Sounds emanating this week from Moscow, St. Petersburg, Tambov, and Tapa (Estonia) share a common concern. How does innocence fare over time? And what ominous noises emerge from its failure...?
Four new recordings from bass and hip-hop producers touch upon the issue of standards. Worried by the growing popularity - and falling quality - of much bass music, these artists ponder a need for new values or virtues.
We look at two new compilations from Mad-Hop and Dystopiaq. Both involve Russian beatmakers, yet are international in design. Those growing spaces lead to some popular sci-fi references - and talk of distant planets...
This week sees the appearance of lo-fi indie pop and jazz-inspired turntablism from Moscow and St. Petersburg. The rococo intricacy of these recordings is designed to celebrate similarly involved thought patterns.
Various examples of new bass music from around Russia this week deliberately employ lo-fi media. These most fragile tools recall a time when tape flutter was a sign of music played endlessly - and with much love.
Hyperboloid Records is a discerning Moscow label dedicated to some of the best bass-, 8-bit, and "brain-music" practitioners of the present. What, therefore, appears striking is the label's use of prior decades for inspiration.
New recordings from these three projects have their roots in some distant, romantic locations: Novosibirsk, Arkhangelsk, and Irkutsk. Perhaps as a result, a pattern of natural, elemental metaphors overshadows any technical chutzpah.
New recordings have appeared from three leading lights of Russian electronica. Representing their distant hometowns of Vladivostok, Novosibirsk, and Krasnodar, they share some connections in their attitudes to digital music and physical experience.
This week, Error Broadcast announces the publication of nineteen remixes, all based upon Dza's 2010 release "Five-Finger Discount." A limited number of copies will appear on cassette - for locally specific reasons
Various EPs and remixes this week touch upon the role of friendship, networking, and collaborative culture in an environment where the role of profit is diminished. Today's trust can form tomorrow's institutions, perhaps
Several of the musicians who attended Moscow's recent Red Bull Bass Camp are from towns in Siberia. Given that common bond, it's interesting to see how they interpret the role of distance - or total absence, even
The Red Bull Academy just held its "Bass Camp" in Moscow. Twenty promising young artists were offered master-classes, roundtable discussions, and some pearls of wisdom from UK lecturers
New songs, texts, and instrumentals by these artists all concern an interplay of anonymity and elitism. They investigate the thin line between standoffishness and the public's total unawareness...
Pixelord and RJB both offer new recordings that draw upon the dreams of childhood. Just as important are the tools that kick-start fantasy: Nintendo toys, Soviet TVs, and the occasional VCR
The German label Mooncircle is about to publish a collection of eleven beatmakers from across Russia and Ukraine. How will the CD unify some very disparate tracks?
The magazine Pitchfork recently published an impressive survey Moscow's most promising beatmakers. After that flurry of interest from abroad, though, what's the level of interest at home?
Fifteen new wonky tracks from all over Russia, brought together in celebration both of the genre and its philosophical underpinnings.
A little over one month ago, we found ourselves with a copy of Pixelord's super new EP, "Lucid Freaks" and paid it due attention. A couple of weeks later, another recording popped up from Pixelord's alter ego, Gultskra Artikler: that, too, was showcased on this site. And now, with almost startli...
Earlier this month we focused on two new dancefloor releases by Sergey Suokas and Pixelord (aka Aleksei Devianin).  Both were appealing because of their use of dub techno, in the former case, and crunch- or glitch-hop, in the latter. Both of these musicians were using either echo/reverb or broken...
The central figure amid the various projects listed in this article is Siberia-born DJ Aleksei Devianin, aka Pixelord, who's perhaps best known under the pseudonym of Gultskra Artikler. That strange moniker is used to encapsulate a long-lived project described to Russian audiences as “melodic,...

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Audio

Pixelord – Iron and Cream (Part 2)
Pixelord – Iron and Cream (Kuhn rmx)
Pixelord – Kiwi Dream (NVG rmx)
Pixelord – Keramika (813 remake)
Pixelord – Imaginary Friends
Pixelord – Keramika
Pixelord – Keramika (Part 2)
Pixelord – Newend (Taprikk Sweezee Remix)

Video

Realno Sorry Live Beats Party
Cybernator