Dunaewsky69 / Oleksandr Gladun

Four projects from Moscow and Kiev consider private desires within the contrary pressures of civic existence. The result, not surprisingly, produces a certain tension; it soon takes the form of audible distortion.
Several Russian synth-pop releases this week draw upon the traditions of the 1980s - duplicating the lo-fi sound of that same decade. As a result, Western glitz, low-grade tape, and late Soviet society all merge.
Seattle's "Redfine" magazine has just published a compilation of tracks from the Kvitnu label (Kiev). Given that Kvitnu famously describe their sounds as "high blood-pressure music," what lies beyond that sonic limit?
Three Ukrainian recordings from Kiev and Sumy consider the limits of local architecture and other structures. Escape, it seems, is conceivable through domestic tradition - and timeless intuition
Some new ambient/noise recordings from Russia and Ukraine speak to various ubiquitous "states" that simply endure, far from linear movement or notions of progress. A few are positive... others are not
Dunaewsky69 and Space Holiday Rocks are from Kiev and Novosibirsk respectively. Distances aside, these two projects are similar both in productivity and the goals towards which their effort is directed
This week we spoke to Dmytro Fedorenko (aka Kotra) - about his work with Dunewsky69 (left) and Kvitnu, arguably Ukraine's most influential label in the sphere of experimental electronica.
Here's a wonderful and easy chance to familiarize yourself with an important netlabel, home to a wide range of impressive artists.  Yesterday the Heavy Mental network announced a new, free compilation dedicated to the explorer Fedor Koniukhov, shown in the middle of the post, sporting considerabl...

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