Known in creative circles simply as OL, Oleg Buyanov has a debut (and double) album to announce on Moscow's influential GOST ZVUK Records. Entitled "Height Differences" in English (Перепад Высот), it is described as "a reconsideration of late-Soviet music.
Olga Glazova is from St. Petersburg and a professional gusli player of growing repute. Her chosen instrument, responsible for a quintessentially Russian and supposedly pre-urban sound, is a plucked-string harp. The gusli's roots stretch back to the lyre of ancient Greece...
Three recordings from Saint Petersburg find themselves making social statements with tools taken from other towns and times. Cheap science fiction is especially enlightening.
Four new recordings from Siberia, Karelia and Saint Petersburg try to contradict actuality with unique daydreams and fantasies. Not all of them work.
Having grown up with the deeply negative traditions of black metal, these bands realize that a nihilist rejection of everything can have positive results.
From snowy Siberia to the medieval towns of Belarus, a range of new recordings are directly informed by their melancholy setting. A folk ensemble from Saint Petersburg pushes back––with a smile.
An interwoven network of musicians in Saint Petersburg unveils a series of publications––almost simultaneously. Perhaps unsurprisingly, they all share common ideas and convictions.
Rock recordings from St. Petersburg and beyond fall to a growing sense of fatalism. Destiny seems to accompany the gradual, grim transition from hope into hopelessness.
Over a series of new Russian recordings, feelings of self-determination lessen in the face of both history and modern likelihood. Modesty becomes the sincerest form of expression.
Ambient and lo-fi publications from four northern addresses all ponder the meaning of solitude. It does not lead to melancholy; in fact it offers a productive liberty from the awfulness of social existence.