The Ezhevika label in Minsk, Belarus has published a new compilation of regional music. The contributors consider their bonds both to colleagues and predecessors.
New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Grounded in 1990s' shoegaze, new recording rock from Moscow, Saint Petersburg, and Tallinn have difficulty any finding similar inspiration in 2017. An argument ensues.
Minimal techno and bass publications from Moscow and Kiev bear an overarching theme this season: hard work. Their PR rhetoric, however, is not always enthusiastic.
Three recordings from Saint Petersburg find themselves making social statements with tools taken from other towns and times. Cheap science fiction is especially enlightening.
New publications from Anton Maskeliade and Valotihkuu have a pedagogical intent. The former artist is actually a teacher; the latter hopes to champion the importance of noiseless humility.
As FFM reconsiders some of the Russian and Belarusian rock recordings of winter 2016, a common theme emerges of self-deprecation. Albeit with strange benefits.
UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
"The theme of an .exe file loops backs to my very own childhood: to the sounds of idm music, to DOS programs, and an overall sense of 'cyber-romance'" (Pixelord, Aleksey Devyanin)