The Ukrainian outfit known as Pur:Pur have just published five new songs, dedicated to issues of simplicity and amity. The inspiration for kindness today comes from a brief Soviet cartoon of 1976.
New LPs from Minsk, Izhevsk, Yekaterinburg, and Moscow ponder sources of consolation and comfort. One suggests that the greatest consolation is found in one's own domestic "cultural baggage."
In June a music event called "Pain Fest" will celebrate rock music from Serbia, Belarus, and - most importantly - Siberia. The bands from that part of Russia cultivate a link to the punk traditions of their home.
Four new albums from Lithuanian and Russian performers lead to different interpretations of an LP - and why that format even matters any more. The answers, it transpires, depend on location and genre.
Against the backdrop of recent geopolitical events, one might understand why minorism would have a marked appeal. Four collectives from Russia, Ukraine, and Estonia place smallness front and center.
The thirty-ninth release from FFM Records was both conceived and recorded in Saint Petersburg. Four brief songs speak to the ongoing, even counter-productive effort needed to keep aspirations alive.
Afisha and Colta are arguably Moscow's two most influential music publications when it comes to finding or fostering new talent. As December begins, they both consider the musical year ahead - with some anxiety.
Surrounded by a series of failing support systems, be they social or financial, four Russian ensembles turn to themes of family. In difficult times, thoughts of friends and colleagues grow more important.
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
Four new releases by baroque- and/or chamber pop outfits ponder a common theme of self-determination. To what degree do these youngsters feel any control over their increasingly social lives?