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Nowhere in Particular: Biblioteka, EIMIC, February, and Blackpaperplanes
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
Fate: Mutaforiya Lili, Synecdoche Montauk, Fanny Kaplan, and Weary Eyes
Four new releases by baroque- and/or chamber pop outfits ponder a common theme of self-determination. To what degree do these youngsters feel any control over their increasingly social lives?
Lemonday: "Favorite" (Krasnoyarsk/ Saint-Petersburg, FFM28)
The Saint Petersburg band Lemonday are currently a threesome: Julia Nakaryakova, Zhenya Il', and drummer Anton Pokrovsky. Together their craft wonderfully witty, lo-fi songs about life's underdogs.
Vihrea: "Gorenje" (Veliky Novgorod, FFM22)
Margarita Popova, best known for her project "Chaos in Heathrow," releases a new EP under a second stage-name. A related theme of social role-playing runs through all five of these songs.
2muchachos: "A Forest Is Not What It Seems" (Cherepovets, FFM20)
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
Sugar God: "Amanzi" (Moscow, FFM19)
Sugar God (Evgeny Pozdnyakov, Moscow): "I've tried to create the atmosphere of being in outer space, or of a bird's flight. It's a combination of romantic solitude and nostalgia"
The Owl: Fairy Forest (Novosibirsk, FFM10)
Darya Shakhova (aka The Owl) Novosibirsk: "I like all music… except completely idiotic styles, of course! I even like high-quality pop stuff. If something is made with heart and soul, then you'll feel it..."
Roundelay: Russian Melodies (Samara, FFM4)
In the city of Samara is a female choir led by Dmitrii Kolevatykh: Roundelay. This substantial, shifting lineup of young women creates a sound unique within modern Russian music.
Deviations: Polska Radio One, Another Mask, Poupee F, and Mars-96
Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Yielding: Glintshake, Okudjav, Commercial Marines, and Universe Inside
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.
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