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Black Metal Realism: Starpowers, Saint God, Neulovimye Mstiteli & Otstoy
Having grown up with the deeply negative traditions of black metal, these bands realize that a nihilist rejection of everything can have positive results.
Nowhere to Play: Glintshake, WLVS, Mooncake, & Show Me a Dinosaur
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
Shouts across the Void: Shop Assistants, JUUR, Stoned Jesus & Saint God
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
Lessons of the Past: Trud, Jaunt, Kirov, and Bicycles for Afghanistan
Several new rock recordings, all the way from Saint Petersburg to Simferopol, express doubts about grand spectacle. Better, smaller forms of interaction are found both in memories and on stage.
Loud Tunes for Dancing Bears: Serdceder, Otstoy, Mraz, and Smola
In the wake of a garage and punk festival in Moscow, the question has arisen of protest songs. Is that style, volume level, and its violence synonymous with hopes of civic change? The answer is surprising.
From Ambitions to Anxiety: Red Deer, Starpowers, Phooey!, and Materic
Rock recordings from St. Petersburg and beyond fall to a growing sense of fatalism. Destiny seems to accompany the gradual, grim transition from hope into hopelessness.
Kings of Infinite Space: Matushka, Vmgnovenijah, Parc Hotel, and Anderson
Fading faith in modern life or politics leads these ensembles to look elsewhere for superior values. Better ideas are found in shamanistic culture, experimental drugs, and other distant realms.
Hellspin: Two (Moscow, FFM7)
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."
Yielding: Glintshake, Okudjav, Commercial Marines, and Universe Inside
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.
An Ideal Outlook: Slackers, Limebridge, Waltz, and 2MORROW2LATE
The need for young musicians to hold down a couple of jobs can be trying. Related material complications lead, over time, to a celebration of immaterial values, such as wistfulness and a slacker ethos.
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