Singer-songwriters

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The Light of a Distant Sky: Sasha Gagarin and K (Ivan Kamaldinov)
Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
Time-Honored Anxieties as the New Year Approaches for Afisha and Colta
Afisha and Colta are arguably Moscow's two most influential music publications when it comes to finding or fostering new talent. As December begins, they both consider the musical year ahead - with some anxiety.
Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Ameli na Meli (Aleksandra Obraztsova / Moscow, FFM14)
Aleksandra Obraztsova's intriguing stage-name is a play upon the title of Jean-Pierre Jeunet's 2001 feature "Amelie." Obraztsova authors her hushed, pensive songs using the alter ego of "Ameli na Meli."
Dysthmia: Sergiy Cherepiho, Endless Melancholy, Melan, and King Imagine
One of the more enduring assumptions or stereotypes regarding Slavic songwriting would be that of sadness, if not misery. When melancholy does indeed make an appearance, what form does it take?
Landscapes and Loops: Pastacas, Iduvigik, Kago, and Mari Kalkun
The Estonian label Ounaviks continues to produce a wide and wonderful range of folk reinterpretations for a new generation. From within that antique heritage comes a reconsidered worldview.
Stagecraft: Naadya, Nina Karlsson, Varya Demidova, and Oleg Chubykin
From St. Petersburg to Vladivostok, four lyrical songwriters consider the benefits of stagecraft over actuality. Imagination enjoys more freedom behind a writing desk or beneath limelight.
Hush: Irena Kotvitskaya, Misha Mishenko, Dasha Shults, and Do-Re-Mi
Four projects from three cities (Minsk, Moscow, and St. Petersburg) have new material to offer. In each case, a quiet register is the result of considerable humility before the past and/or inspiration itself.
From a Distance: L. Fedorov, V, Volkov, Martiini, Iduvigik, and Normandy
A recording from Leonid Fedorov and Vladimir Volkov examines how St. Petersburg's cityscape changes over time. The baroque trajectories of music outdo the linear passage of urban "progress."
Changes: Carina Cooper, Nikadimus Experience, and A. Bashlachev
Three inherently acoustic traditions are subjected to a process of change. The more those variations come to light, the more they aid self-expression. The broader one's vista, the more subjectivity benefits.
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