The Saint Petersburg band Lemonday are currently a threesome: Julia Nakaryakova, Zhenya Il', and drummer Anton Pokrovsky. Together their craft wonderfully witty, lo-fi songs about life's underdogs.
This week we're republishing a classic recording from one of Russia's most important and consistently surprising bands. It comes together with English translations and a host of contextual materials.
uSSSy is/are an instrumental duo from Moscow: Artem Galkin (guitar) and Pavel Eremeev (drums). As Galkin calmly announces his departure from the band, a central theme of absence reappears.
From Rostov-na-Donu comes psychedelic noise-rock that looks back with fondness to the earliest days of the Space Race. Heavy industry suddenly started to throw off the shackles of gravity.
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."
In the city of Samara is a female choir led by Dmitrii Kolevatykh: Roundelay. This substantial, shifting lineup of young women creates a sound unique within modern Russian music.
Marble Boy are a duo from the Ukrainian city of Kharkiv: Anton Shatokhin and Maria Demenko. Recent events at home are tangentially reflected in the private emphases of a new EP, entitled "Notion."
A couple of rock bands far from Moscow ponder the benefits of avoiding its cutthroat industry. No matter how that might sound like consolation for a failed career, other ensembles tend to agree.
Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.