The city of Yekaterinburg has a proud connection to the rock and protest songs of perestroika. Do any local bands from that city share the same convictions today?
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
Four rock bands consider their professional success––and the sacrifice it demands. Various alternatives are pondered to linear notions of progress.
As various bands perform in distant places, travel the globe, or simply dream, a common desire emerges: the possibility of erasing geography altogether.
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
In these challenging economic times for musicians across Eastern Europe, the role played by optimism is vital. We look at four new recordings––and varying degrees of hope.
The current economic difficulties in Russia and surrounding nations lead to greater levels of reverie. Dreams seem better than reality, yet stargazing is rarely easy.
Two rock bands from Samara join philosophical forces with new recordings from Moscow and Nizhny Novgorod. Taken together, these four outfits fashion a worldview to counter cocky "progression."
Several new rock recordings, all the way from Saint Petersburg to Simferopol, express doubts about grand spectacle. Better, smaller forms of interaction are found both in memories and on stage.
Various professional challenges emerge in these Russian recordings; most of them have connections to outside, social realia. It's only beyond the border––in Estonia––that civic pressures ease.