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Sonic Garbage: Won James Won, AWOTT, Zhenya Kukoverov & IHNABTB
Our interlocking and semi-improvised recordings from Moscow's underground rock scene still give voice––in 2016––to some very old dilemmas indeed.
Black Metal Realism: Starpowers, Saint God, Neulovimye Mstiteli & Otstoy
Having grown up with the deeply negative traditions of black metal, these bands realize that a nihilist rejection of everything can have positive results.
Monologs and a Stereo Sound: Vanyn, Ethica, Bananafish & Jonny Online
The recordings under consideration all speak in favor of humility and various forms of dialog. Current actuality, however, tends to prefer a strident monolog.
Nowhere to Play: Glintshake, WLVS, Mooncake, & Show Me a Dinosaur
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
A Shared Silence: Petlia Pristrastiia, Say My Name, Volchok & Weary Eyes
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
From Yekaterinburg and Beyond: Sansara, RSAC, OQJAV, and AloeVera
The city of Yekaterinburg has a proud connection to the rock and protest songs of perestroika. Do any local bands from that city share the same convictions today?
Seven Kinds of Solitude: The Best of New Belarusian Songwriting
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
Sobering Answers: On-the-Go, Lemonday, Sonic Death, and Palms on Fire
Four rock bands consider their professional success––and the sacrifice it demands. Various alternatives are pondered to linear notions of progress.
Outside: Pinkshinyultrablast, Oat Oaks, Alla Dmitrievna, and Australian Kiss
As various bands perform in distant places, travel the globe, or simply dream, a common desire emerges: the possibility of erasing geography altogether.
Shouts across the Void: Shop Assistants, JUUR, Stoned Jesus & Saint God
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
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