Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
Four new releases by baroque- and/or chamber pop outfits ponder a common theme of self-determination. To what degree do these youngsters feel any control over their increasingly social lives?
All the way from Tallinn to Kazan, a selection of new recordings consider the value of escapism and/or imagination. A growing disappointment with the here and now only makes fantasy work harder.
The Russian music festival Stereoleto is about to start in Saint Petersburg. We examine some ideas behind the event's success and endurance. A link between diligence and dreams quickly emerges.
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
The Saint Petersburg band Lemonday are currently a threesome: Julia Nakaryakova, Zhenya Il', and drummer Anton Pokrovsky. Together their craft wonderfully witty, lo-fi songs about life's underdogs.
This week we're republishing a classic recording from one of Russia's most important and consistently surprising bands. It comes together with English translations and a host of contextual materials.
uSSSy is/are an instrumental duo from Moscow: Artem Galkin (guitar) and Pavel Eremeev (drums). As Galkin calmly announces his departure from the band, a central theme of absence reappears.
From Rostov-na-Donu comes psychedelic noise-rock that looks back with fondness to the earliest days of the Space Race. Heavy industry suddenly started to throw off the shackles of gravity.
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."