Three recordings from Saint Petersburg find themselves making social statements with tools taken from other towns and times. Cheap science fiction is especially enlightening.
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
The city of Yekaterinburg has a proud connection to the rock and protest songs of perestroika. Do any local bands from that city share the same convictions today?
For musicians working with minimal time and zero financial support, the role of teamwork is vital. Three new releases from Russia and Latvia celebrate joint effort.
Three new compilation albums bring together dance tracks from Russia, Belarus, and Estonia. A range of producers from small towns and provincial cities join forces––in new networks.
A new and wide-ranging compilation of Lithuanian electronic producers has just appeared, entitled "Ritmo Kovos 4" (Beat Battle #1). It bears much social import.
Criticism of professional options in Russia and Ukraine is countered with a series of alternatives: psychedelia, fantasy, emigration––and virtual reality.
Five new albums from the Moscow folk label Sketis manage to interweave a wealth of different times and traditions. Those linkages grow in importance as society refuses to show the same inclusiveness.
From Latvia, Lithuania, and Russia, four new releases appear, all inspired by a hip-hop tradition. They also voice a connection to other musical events of prior decades - together with their social impact.