Psybient

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Firestorms on a Wounded Landscape: Ivan Erofeev and Zavoloka
Recent industrial publications from Kiev (via Vienna) and Moscow (via Omsk) juxtapose a factory-floor aesthetic with regional, chronically ailing networks
Fantasia versus Nothing: Smokey Hill, Delete, Sotus, Honey & Heavenchord
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Two Kinds of Anonymity: Paul Menska, x.y.r., IC3PEAK, and Milky Toad
Russian social networks are home both to shyness and subversion. Some artists seek nameless refuge, while others plan loud protest––from nowhere.
Getting There: Lena Kudrina, Kawri's Whisper, Endless Melancholy & Isea N
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
Pine Therapy: Endless Melancholy, Pavel Chigarskikh, SiJ, and Furthers
A collection of ambient and drone recordings from Yekaterinburg, Sevastopol, and Kiev share a common desire. They all express a sage preference for solitude over city life. Silence often heals.
Chillout: New Recordings from Microcosmos and Alexander Saykov
The St. Petersburg label Microcosmos has published three chillout recordings, examining alternative views of actuality. Alexander Saykov extends them––to Moscow.
Some of the Smallest Waves: The "Terminal Dream" Compilation, 2016
A new label in Moscow––Terminal Dream––is dedicated to local ambient artists. Brought together, they reveal some common ideas about sound, space, and purpose.
We Hid in Dark Places: OBGON, Cassiopeia, Miyuki, and Gidropony
Across the varied contexts of cyberpunk narratives, trash TV, driving Moscow techno, and religious satire runs a common theme. The value of humility.
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