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An Odd Sense of Home: Weloveyouwinona, Xuman, Volchok, and KDIMB
One of the biggest - and most basic - choices faced by a Slavic band today is that of language. The same choice is often dictated by assumptions of better job options, either abroad or at home.
Show Me a Dinosaur, Lucidvox, Karovas Milkshake, and Reserve de Marche
Four Russian rock publications play upon aspects of a psychedelic heritage. They either draw directly from Western traditions or extend the meaning of psychedelia from its roots in the Soviet '70s.
The Experty.BY Awards and a Sense of Home in Belarusian Songwriting
A few days ago, the Belarusian magazine Experty.BY announced a series of awards, dedicated to the best domestic music of last year. A wide range of prizes were involved, defined in terms of format or genre.
Hazy Sessions and Diffidence: Atariame and Lava Lite (FFM41 and 42)
A couple of Saint Petersburg projects find common philosophical ground in two areas. Both are saddened by the woeful potential of actuality - and then turn to their hometown for some time-honored forms of reverie.
Travails: Pinkshinyultrablast, Loveburger, Slackers, and Vivienne Mort
Two new releases, both connected to Moscow life, declare the appeal of a slacker's worldview. A couple more, from Kiev and Saint Petersburg, have greater faith in the importance of hard work and daydreams.
Kings of Infinite Space: Matushka, Vmgnovenijah, Parc Hotel, and Anderson
Fading faith in modern life or politics leads these ensembles to look elsewhere for superior values. Better ideas are found in shamanistic culture, experimental drugs, and other distant realms.
In Flight: Polska Radio One, Dzierzynski Bitz, Ext, and Crimson Butterfly
Several key reference points connect these projects. Some of them originate in Poland, while others take us to Ukraine. Bolder still, however, is the overarching desire of these performers to leave home altogether.
Moving to Titan: Ink Twins, S3P, Empty Field, and The Alex Kelman Band
One of the most enduring reference points for Russian musicians over the last two decades has been outer space. The approaching New Year does little to encourage hope - and so distant planets still appeal.
Looking Upwards and Down: IWKC and Art Electronix (FFM37 and 38)
Two new releases from FFM. One is Ukrainian, the other is Russian - and both are instrumental. The difference between them, genres aside, is in their attitude to the weight of the surrounding world.
Lasting Influences: Glintshake, TSUFA, 5 Vymir, and Bungalow Bums
From Siberia to Moscow - and even Kiev - a series of new releases admit openly to the influence of Western music from prior decades. A dissatisfaction with the here and now prompts lasting retrospection.
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