A couple of rock bands far from Moscow ponder the benefits of avoiding its cutthroat industry. No matter how that might sound like consolation for a failed career, other ensembles tend to agree.
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.
The need for young musicians to hold down a couple of jobs can be trying. Related material complications lead, over time, to a celebration of immaterial values, such as wistfulness and a slacker ethos.
Overcamps are a young Moscow duo who declare their membership "within the capital's underground scene." For various reasons, that sense of dignified retreat proves widely appealing.
As magazines and festivals seek to promote young musicians, they speak of great promise and flourishing local scenes. The performers themselves are less sure.
Young bands around Russia see little financial promise in their craft. Local reality does much to frustrate a material view of songwriting - yet an admission of those woes brings other issues to the fore.
Talaka.by is a Belarusian web portal: "We run a noncommercial platform that's designed to help people realize their socially useful projects - together." Those projects include music.
As mainstream media offers young Russian bands little support, a couple of responses emerge among amateur ensembles. Romantic views of both solitude and friendship transpire.
A lyrical strain runs through some Russian rock releases this week. It begins with wistful dreams of leaving home - and moves with increasing satisfaction to distant planets or a bottomless ocean.