Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
Four rock bands consider their professional success––and the sacrifice it demands. Various alternatives are pondered to linear notions of progress.
As various bands perform in distant places, travel the globe, or simply dream, a common desire emerges: the possibility of erasing geography altogether.
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
In these challenging economic times for musicians across Eastern Europe, the role played by optimism is vital. We look at four new recordings––and varying degrees of hope.
Three new recordings make direct reference to Japanese history and habits. A distant nation fuels dreams of some alternative to local reality. The more actuality disappoints, the further desire travels from home.
Across the varied contexts of cyberpunk narratives, trash TV, driving Moscow techno, and religious satire runs a common theme. The value of humility.