Post-punk

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The Considerable Appeal of Reticence: T.Bird, Queue, and Sinexoid
Three instrumental ensembles from Moscow and St. Petersburg ponder the benefits of avoiding language. A balancing act ensues between (potentially) wide appeal and the pressing need to advertise one's existence.
Endurance: Kimberley, Human Tetris, High-Speed Kings, and Jakarta Project
A handful of new EPs and mini-albums this week show the importance of persistence over inspiration. That same validation of endurance then gets romanticized, turning difficulty into a badge of honor.
Hope on the High Seas: Marble Boy, Torba-na-Kruche, Nick Efremov, and Dya
Four releases from several Russian and Ukrainian towns this week consider the role of public, "useful" song. At a time when civic anthems might make sense, these artists are too busy coping with daily challenges.
Oceanic Motifs: Mandarinaduck, Powder! Go Away and Mari! Mari!
These ensembles from Vladivostok, Lukhovitsy (Moscow), and Zaporozh'e (Ukraine) are bound by their chosen, rather bleak imagery. Tales of a stormy ocean and outer space predominate; both have their lonely residents, too.
Siberia and Stars: TLFOA, Sleep Dealer, A. Minster, and Absorb the Sun
A small Russian music blog - DKHC - has gathered a collection of post-rock outfits from around the country. Claiming to be based in Siberia, the blog aims for a similarly grand sweep in its tracklist.
Simplicity: Odin v Kanoe, Blackpaperplanes, Mox, and Solntsetsvety
Three bands from Belarus and Ukraine offer new recordings in a range of unrelated styles from acoustic pop to post- and drone-rock. Across them all, however, lies a shared celebration of simplicity in a complex world.
High in the Sky: Metacode, Mothership, Aesthesys, and Lack of Eoins
Four projects from Moscow, Novosibirsk, and Tartu use a lofty register when speaking of their work. All manner of cosmic metaphors are employed, simply in order to capture the precious experience of songwriting.
Jazz Nightmares: [Br]om, Madlene, and a New Omsk Compilation
Recordings from both Moscow and Omsk, Siberia, use some extreme forms of improvisation to counter the oppressive nature of local experience. The result is referred to by one band as "jazz nightmares."
Volition and Volume: Avias, Klad Yada, InVerse, and Slow Suicide
The issue of destiny emerges clearly in some new releases from Russia and Belarus. Over four separate publications, we see the role of "fate" increase. It is first countered with volume - and then met with grim resignation.
Loud Protests against Time: Fairy Meds, IWFYLS, and Audience Killers
These three bands are from Riga, Ryazan, and Samara. They span a wide range of styles, from shoegaze to garage traditions. What they all share, however, are concerns about the irreversible passage of time.
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