UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
The recordings under consideration all speak in favor of humility and various forms of dialog. Current actuality, however, tends to prefer a strident monolog.
As Russia struggles with economic disarray, four rock recordings across the country ponder the role of songwriting as an alternative expression of "law and order."
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
As a series of new recordings take inspiration from the melancholy romance of Soviet pop music, the question arises: what about tomorrow?
The city of Yekaterinburg has a proud connection to the rock and protest songs of perestroika. Do any local bands from that city share the same convictions today?
The future can be unpredictable in Eastern Europe. Four new recordings visualize tomorrow as a road movie, a winding or rocky passage, and a dead end. Hope is needed.