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Tales of Solitude: Inna Zhelannaia, Naadya, Evgeny Grinko, and Megapolis
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
Obscurum Per Obscurius: The 2014 Schilling Festival (Estonia)
This year's Schilling Festival is about to start in Estonia. There's a special overlap between the festival's philosophy and the worldview of several Estonian bands taking part. Ideals and actuality coincide.
Dadaisme: "Dasein Mosaic" (Togliatti and Moscow, FFM31)
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
SV Hutor: The Eponymous Album (Sterlitamak, FFM29)
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
Misha Mishenko and Alwayslate: "In Pursuit of Light/Chapter" (FFM26/27)
"When I compose, I simply turn off my brain and surrender to a flight of fancy. It's something elusive. It happens all of a sudden, spontaneously... it's what you might call 'improvisation of the heart and soul.'"
Happy55: "A Magic Word" (Voronezh, FFM25)
Happy55 are a jazz trio from the southern industrial city of Voronezh. Against that backdrop, and the weight of ailing history, these gifted performers find much value in improvisation and spontaneity.
Vihrea: "Gorenje" (Veliky Novgorod, FFM22)
Margarita Popova, best known for her project "Chaos in Heathrow," releases a new EP under a second stage-name. A related theme of social role-playing runs through all five of these songs.
2muchachos: "A Forest Is Not What It Seems" (Cherepovets, FFM20)
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
Kubikmaggi (Saint Petersburg, FFM18)
"The band has trouble recalling specific dates. Its members instead neglect any chronology; in fact, they're barely able to count, giving all the time they've spent working with different time signatures"
Ameli na Meli (Aleksandra Obraztsova / Moscow, FFM14)
Aleksandra Obraztsova's intriguing stage-name is a play upon the title of Jean-Pierre Jeunet's 2001 feature "Amelie." Obraztsova authors her hushed, pensive songs using the alter ego of "Ameli na Meli."
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