Four new acoustic releases have roots in very diverse towns, all the way from Magadan to Kharkiv. What they share is a desire to hide from crude actuality.
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
As a series of new recordings take inspiration from the melancholy romance of Soviet pop music, the question arises: what about tomorrow?
The city of Yekaterinburg has a proud connection to the rock and protest songs of perestroika. Do any local bands from that city share the same convictions today?
The future can be unpredictable in Eastern Europe. Four new recordings visualize tomorrow as a road movie, a winding or rocky passage, and a dead end. Hope is needed.
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
Amid four Russian and Ukrainian projects there emerges a telling view of lyricism in modern pop music. A three-minute, micro social narrative is more satisfying than society itself.