Minimal

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Light, Airy, and Meditative: Seven New Releases from Subwise Records
The Subwise label in Saint Petersburg remains as busy as ever. We have chosen seven new releases from Russian and Ukrainian artists, as proof that a common worldview is developing among them all.
Motion: Appolinaria Lovegood, Hmot, Valotihkuu, and Hamlet His Highness
Empty realms, such as the forests of Karelia, have differing meanings for these artists. Nonetheless, a shared conviction transpires that movement into nothingness at least symbolizes potential.
The Pull of the Past: KSKY, 130 Vespa, Komba Bakkh, and BMB Spacekid
A couple of northern projects look with fondness at Soviet culture, given the failings of the present day. More powerful than childhood retrospection, however, is the invocation of an ancient tradition.
A Fleeting Present: Aortha & Goron, Shortparis, and L.I.M.B. (FFM48-50)
Various inevitabilities gather strength around three releases from Moscow, St. Petersburg, and Minsk. In the face of diminishing liberties, a certain presentism emerges, celebrating the here and now.
A Growing Sense of Silence: BAIKAL, I Delfiny, Vakula, and Foresteppe
Two recurring reference points in Slavic electronica are childhood and the open landscapes that symbolize an early liberty. Four new releases interweave these motifs, whilst mourning the clamor of modernity.
The Light of a Distant Sky: Sasha Gagarin and K (Ivan Kamaldinov)
Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
Aspirations and Anxieties: VOVA and Nik Snake F (FFM 43 and 44)
Two new releases from FFM originate in Moscow and Kiev. A couple of solo performers travel parallel trajectories from self-doubt to a less disconcerting state, somewhere on the edge of aspiration.
Minor Interactions: Raumskaya, Control Light, and Festival Lounge
As the socioeconomic situation worsens in Russia, so do attitudes towards society. Civic activity promises less and less. Consequently, several artists speak in support of minimal interaction.
Everything and Everyone: BG, Fedorov/Volkov, Bungalow Bums, and MLMW
An air of social disappointment hangs over these recordings, made primarily in Saint Petersburg. As adult experience appears to offer little, the importance of prior cultural landmarks only starts to grow.
Alternative Lifelines: Yayati, AWOTT, Albino Deers, and IC3PEAK
All the way from Rome to Moscow and Sochi, four new electronic recordings look askance at social convention. Some respite from tedium is found in a number of absurdist or even "terrorist" tactics
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