Two rock bands from Samara join philosophical forces with new recordings from Moscow and Nizhny Novgorod. Taken together, these four outfits fashion a worldview to counter cocky "progression."
Several new rock recordings, all the way from Saint Petersburg to Simferopol, express doubts about grand spectacle. Better, smaller forms of interaction are found both in memories and on stage.
Various forms of escapism are encountered in modern Russian music, all the way from storied space rock to garage hedonism and masochistic decadence. Examples of them all transpire this week.
Disenchanted with their hometown experience, a number of rock outfits prefer imagination to actuality. Inspiration is found in bedroom solitude, post-Soviet gangster bravado, and even some Buddhist tenets.
In a world of bewildering media and deafening jingoism, the appeal of noiselessness can be considerable. Just as attractive - in the face of fiscal or civic pragmatism - is the meaning of nothing at all.
Fading faith in modern life or politics leads these ensembles to look elsewhere for superior values. Better ideas are found in shamanistic culture, experimental drugs, and other distant realms.
As musicians from Murmansk and Moscow online encounter rudeness, disdain, or indifference, an alternative is needed to actuality. A reconsideration of '70s psychedelia does the job very nicely.
From the outskirts of two capitals - Moscow and Minsk - come some songs designed to inspire. They discern a certain civic or ideological "emptiness" and hope to offer a consoling alternative.
Four lo-fi and garage recordings consider their relationship to rebellion. Is the deafening racket of a garage tradition suggestive of freedom - or an inability to escape actuality?
Faced with a wide range of social obstacles, some Russian and Belarusian rock bands find strange solace. Unable to build a career with ease, they are nonetheless to restart failed projects.