A new and wide-ranging compilation of Lithuanian electronic producers has just appeared, entitled "Ritmo Kovos 4" (Beat Battle #1). It bears much social import.
From snowy Siberia to the medieval towns of Belarus, a range of new recordings are directly informed by their melancholy setting. A folk ensemble from Saint Petersburg pushes back––with a smile.
Two noise projects in Moscow see a connection between their recordings and the nation's social fabric. Similar ideas transpire far away––in Siberia's "Vovne" group.
Two of Russia's most significant independent labels––Electronica and Full of Nothing––have begun the New Year with simultaneous compilation albums.
Moscow's Hyperboloid label has a New Year's compilation to announce, including six tracks from Raumskaya, Cadeu, Koloah, Fisky, A.Fruit, and Baked Milk.
Across the varied contexts of cyberpunk narratives, trash TV, driving Moscow techno, and religious satire runs a common theme. The value of humility.
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
In four new recordings from Russia and Belarus, thoughts of the future predominate. As tomorrow looks unpredictable, childhood and adolescence gain a special importance.
All the way from Moscow to the villages of Siberia, a common idea finds voice in a handful of dance floor publications. In four of these releases, the romance of nostalgia and happy stasis proves most persistent.
Alexander Zaitsev's new instrumental recording refers to modern spirituality as a faint, flickering light in a tunnel. Some other Russian electronic releases this week concur.