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A Tribute to the Past: Maxim Buldakov, Ilya Gerus, Inlensk, and Sugar God
All the way from Moscow to the villages of Siberia, a common idea finds voice in a handful of dance floor publications. In four of these releases, the romance of nostalgia and happy stasis proves most persistent.
Open Your Eyes: Alexander Zaitsev, Ninja Glam, Dessin Bizarre & Jean Piere
Alexander Zaitsev's new instrumental recording refers to modern spirituality as a faint, flickering light in a tunnel. Some other Russian electronic releases this week concur.
Amid a Crowd of Stars: The "I MIRACLE" Album from Ezhevika (Minsk)
The Belarusian label Ezhevika has just published a compilation album, "I MIRACLE." It gathers nineteen recordings from towns both near and far; together the tracks create a workplace philosophy.
Flying Far from Home: 813, Ewan Limb, Dave Pad, and Tram Drivers
As new recordings appear for dance floors across Russia and Ukraine, one would expect hedonism and jollity to predominate. The challenges of a touring musician quickly change the mood.
Contra: Vėjopatis, Autoisolation, Remember Your Name & Uncapitals Tour
Marxist rhetoric, when addressing social change, likes to codify the passage of quantitative civic changes as qualitative. Four new recordings from Russia and Lithuania adopt the same spirit.
Memories: Dzierzynski Bitz, Deti Picasso, Crossworlds, and Radif Kashapov
From Kiev, Yerevan, Moscow, and Kazan, a range of new publications all turn to distant objects of desire. Whether that distance is temporal or spatial, it always implies dissatisfaction with the present.
Friends and Family: Esthetix, Eugene Dolz, Phil Gerus, and Gillepsy
New dancefloor publications from both solo artists and ensembles this week underscore the importance of support systems, either in childhood or when professional obstacles loom later on in life.
The Light Inside: Sus Dungo, Moa Pillar, Malish Kamu, and 4 Pozicii Bruno
One primary impulse in contemporary East European music is the desire for soundscapes to counter actuality. Four new recordings look askance at whatever is going on outside the front door.
The Basement Tapes: Arm Author, Seilarmoon, GLWZBLL, and Budzza
This week a handful of recordings in Lviv, Novosibirsk, and Omsk all struggle to remain optimistic. A number of material obstacles stand between a sunny view of the future and its realization in actuality.
A Language of Hope: Life on Marx, Artek Elektronika, AMVI, and Acid Reich
As a British newspaper suggests that nostalgia in Russian popular music is inherently political, an alternative viewpoint arises. Many young artists fondly recall a time, rather than an ideology.
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