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Keeping Silence at Bay: The "II Miracle" Compilation from Ezhevika
The Ezhevika label in Minsk, Belarus has published a new compilation of regional music. The contributors consider their bonds both to colleagues and predecessors.
A Refusal to Choose: Cadeu, Sal Solaris, Alexey Volkov, and Apex Sphere
New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Abstractions versus Assiduousness: Nikita Zabelin, Koloah, and Doyeq
Minimal techno and bass publications from Moscow and Kiev bear an overarching theme this season: hard work. Their PR rhetoric, however, is not always enthusiastic.
Two Teachers, Shoulder to Shoulder: Anton Maskeliade and Valotihkuu
New publications from Anton Maskeliade and Valotihkuu have a pedagogical intent. The former artist is actually a teacher; the latter hopes to champion the importance of noiseless humility.
The FFM Festival in Los Angeles: Film, Food, Music, and Northern Life
UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
Solo: Arizona Dream, A. Zaitsev, Sweet Mountains, Vejopatis & Giriu Dvasios
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Almost Nowhere to Be Seen: SBPCh (СБП4), Ferrein, Tiiiza, and Pixelord
"The theme of an .exe file loops backs to my very own childhood: to the sounds of idm music, to DOS programs, and an overall sense of 'cyber-romance'" (Pixelord, Aleksey Devyanin)
Fantasia versus Nothing: Smokey Hill, Delete, Sotus, Honey & Heavenchord
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Two Kinds of Anonymity: Paul Menska, x.y.r., IC3PEAK, and Milky Toad
Russian social networks are home both to shyness and subversion. Some artists seek nameless refuge, while others plan loud protest––from nowhere.
Sonic Garbage: Won James Won, AWOTT, Zhenya Kukoverov & IHNABTB
Our interlocking and semi-improvised recordings from Moscow's underground rock scene still give voice––in 2016––to some very old dilemmas indeed.
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