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An Enlightening Escape: Casey Cat, Tantsui, Jimmy Roqsta, and Moresebya
New dancefloor offerings from Russia and Estonia struggle with viable forms of optimism. "Escapism" becomes less a matter of hedonism and more a conscious response to unsatisfying actuality.
Random Magic: The "She Knows More Than She Thinks" Compilation
The Los Angeles label Not Not Fun has just published a compilation of six female electronic artists. Resident in both Russia and Ukraine, they offer a peaceful, creative alternative to recent events.
Persistence and the Value of Collaboration: Subwise and Feedoptions
As the Subwise label in Saint Petersburg releases a new compilation album, celebrating ongoing success in the North, a new project emerges from Surgut. Both foreground the value of joint effort.
Ideals from Nowhere: Suokas, Tram Drivers, Tsunadem, and Wick Blaze
The importance of silence and solitude appears in four new publications. They emerge across considerable distances, all the way from some lightless forests in Karelia to the quieter, cobbled streets of Ukraine.
In Flight: Polska Radio One, Dzierzynski Bitz, Ext, and Crimson Butterfly
Several key reference points connect these projects. Some of them originate in Poland, while others take us to Ukraine. Bolder still, however, is the overarching desire of these performers to leave home altogether.
An Aftermath of Time and Place: Hyperboloid, Ghostek, and Ptitsu Em
As the New Year rolls around, a handful of Russian publications ponder the weight of history. Have regional events, in a number of different towns, led over time to a specific worldview or behavior, even?
A Welcome Estrangment: Mujuice, Tiiiza, Nipple Tapes, and SV Hutor
Against a backdrop of civic unrest, several Russian and Ukrainian performers opt for a more restrained or "estranged" aesthetic. They begin with the cool, mechanical operations of an old Roland 303.
Looking Upwards and Down: IWKC and Art Electronix (FFM37 and 38)
Two new releases from FFM. One is Ukrainian, the other is Russian - and both are instrumental. The difference between them, genres aside, is in their attitude to the weight of the surrounding world.
Abstract Worlds: Ewan Limb, Filatique, Moonscape, and Phil Anker
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
Four Labors of Love: Komba Bakkh, Napo, La Vtornik, and Uplotnenie
For all these artists from Russia and Lithuania, new publications are possible only after much effort. The daily grind and social indifference do their best to make creative work maximally difficult.
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