Criticism of professional options in Russia and Ukraine is countered with a series of alternatives: psychedelia, fantasy, emigration––and virtual reality.
Moscow's Hyperboloid label has a New Year's compilation to announce, including six tracks from Raumskaya, Cadeu, Koloah, Fisky, A.Fruit, and Baked Milk.
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
Two all-female Russian outfits sing of human relations with bittersweet humor. Placed together with other releases this week, their knowing smiles become an overarching social skepticism.
Marxist rhetoric, when addressing social change, likes to codify the passage of quantitative civic changes as qualitative. Four new recordings from Russia and Lithuania adopt the same spirit.
This week a handful of recordings in Lviv, Novosibirsk, and Omsk all struggle to remain optimistic. A number of material obstacles stand between a sunny view of the future and its realization in actuality.
From Latvia, Lithuania, and Russia, four new releases appear, all inspired by a hip-hop tradition. They also voice a connection to other musical events of prior decades - together with their social impact.
Faith is an integral part of Moscow's Gayana project, whose members are both grateful and committed to God. Other beliefs, however, transpire in releases from Ukrainian and Latvian musicians this week.
Several beatmakers in and around the Moscow DOPE90 collective are working hard to resurrect the sound of 90s' boom bap. The main reason they sample old US instrumentals is found at home.
New LPs from Minsk, Izhevsk, Yekaterinburg, and Moscow ponder sources of consolation and comfort. One suggests that the greatest consolation is found in one's own domestic "cultural baggage."