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Time to Listen: Information Ghetto, Lay-Far, Low Orbit Satellite & Tikriaeht
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
High-Frequency Pressures: Cream Soda, Mamanet, Naadya, and Filatique
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
From a Parallel Universe: Onuka, Zulya, Capo Blanco, and Liza Khegai
Amid four Russian and Ukrainian projects there emerges a telling view of lyricism in modern pop music. A three-minute, micro social narrative is more satisfying than society itself.
A Tribute to the Past: Maxim Buldakov, Ilya Gerus, Inlensk, and Sugar God
All the way from Moscow to the villages of Siberia, a common idea finds voice in a handful of dance floor publications. In four of these releases, the romance of nostalgia and happy stasis proves most persistent.
An Enlightening Escape: Casey Cat, Tantsui, Jimmy Roqsta, and Moresebya
New dancefloor offerings from Russia and Estonia struggle with viable forms of optimism. "Escapism" becomes less a matter of hedonism and more a conscious response to unsatisfying actuality.
A Demanding Timeline: The "Fast Lane" Remixes from Highway Records
Moscow's Highway Records is publishing a collection of deep- and tech-house tracks from around Russia. One commonality between the participants is an endorsement of self-education and diligence.
Weightless: Lomovolokno, Xuman, Mars Needs Lovers, and Neon Lights
In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.
Simple Values: New House and Tech-House Tracks from Four Nations
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
Faith and the Long Haul: Timonin, Ivan Latyshev, Nemphirex, and Alimov
The career of Andrey Timonin moves from a southern industrial port to Moscow, London, and then beyond. His resulting trust in hard work is tempered elsewhere - both by doubt and a faltering faith.
Sochi's SWMC versus the Winter Olympic Games: "High Tide Vol. Three"
When the Sochi Winter Music Conference clashed with the Winter Olympics, scheduling problems arose. The worldview of a house label associated with the SWMC is proposing a solution.
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