New dancefloor publications from both solo artists and ensembles this week underscore the importance of support systems, either in childhood or when professional obstacles loom later on in life.
One primary impulse in contemporary East European music is the desire for soundscapes to counter actuality. Four new recordings look askance at whatever is going on outside the front door.
This week a handful of recordings in Lviv, Novosibirsk, and Omsk all struggle to remain optimistic. A number of material obstacles stand between a sunny view of the future and its realization in actuality.
Various forms of escapism are encountered in modern Russian music, all the way from storied space rock to garage hedonism and masochistic decadence. Examples of them all transpire this week.
From Latvia, Lithuania, and Russia, four new releases appear, all inspired by a hip-hop tradition. They also voice a connection to other musical events of prior decades - together with their social impact.
As a British newspaper suggests that nostalgia in Russian popular music is inherently political, an alternative viewpoint arises. Many young artists fondly recall a time, rather than an ideology.
As a handful of new recordings play upon elements of Western hip-hop, 8bit, chill-out, and other styles, one constant theme remains. No matter the desire to sound globally aware, a local focus endures.
In the absence of a clearly structured marketplace, contemporary music in Russia is increasingly a form of self-expression. Social impact is neither easy, nor especially wanted.
As a range of obstacles, both private and professional, stop musicians from working uninterrupted, diligence acquires a new significance. It becomes a form of transcendence, far above material woes.
Several new Russian electronic recordings display an increasing gratitude for both solitude and silence. The further one happens to be from clamorous modernity or a capital city, the better.