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Lyricism under Pressure: Naadya, Onuka, The Cancel, and KSKY
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
Simple Values: New House and Tech-House Tracks from Four Nations
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
Mad, Bad, and Dangerous to Know: Fancy Music's Lermontov LP
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Fuselab Wistfulness: Galun, Nienvox, Frunk29, and Summer of Haze
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
TosyaChai: "Dreams" (Saint Petersburg, FFM34)
TosyaChai is the stage-name of Tosilya Chaikina from Saint Petersburg. Until recently she performed as one half of More Oblakov. A debut solo album is now published through FFM.
Fate: Mutaforiya Lili, Synecdoche Montauk, Fanny Kaplan, and Weary Eyes
Four new releases by baroque- and/or chamber pop outfits ponder a common theme of self-determination. To what degree do these youngsters feel any control over their increasingly social lives?
Tales of Solitude: Inna Zhelannaia, Naadya, Evgeny Grinko, and Megapolis
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
Brinstaar: "Shanticore Middlerings" (Rostov-na-Donu/Moscow, FFM33)
Moscow's Brinstaar stands behind a new publishing venture, Kota Records. Over the course of several recent interviews, he establishes an elegant worldview with which to counter the mainstream.
Dadaisme: "Dasein Mosaic" (Togliatti and Moscow, FFM31)
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
Anton Gudkov and the Okinawa Head Cutters: Omsk Recordings (FFM30)
A few weeks ago in May, the Siberian city of Omsk hosted a festival of street art entitled "Spaces of Multiplicity" A regional sound artist quickly planned a celebration of noise in a pedestrian underpass.
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