Instrumental

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Weightless: Lomovolokno, Xuman, Mars Needs Lovers, and Neon Lights
In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.
Looking Upwards and Down: IWKC and Art Electronix (FFM37 and 38)
Two new releases from FFM. One is Ukrainian, the other is Russian - and both are instrumental. The difference between them, genres aside, is in their attitude to the weight of the surrounding world.
Abstract Worlds: Ewan Limb, Filatique, Moonscape, and Phil Anker
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
Interactions: Cepasa, Krjuk, Eclectic Sound, Harry Light, and Ponty Mython
A Moscow EP and a Kiev LP together offer a dancefloor philosophy in troubled times between Russia and Ukraine. The five artists involved suggest that private virtues might improve public norms
Lasting Influences: Glintshake, TSUFA, 5 Vymir, and Bungalow Bums
From Siberia to Moscow - and even Kiev - a series of new releases admit openly to the influence of Western music from prior decades. A dissatisfaction with the here and now prompts lasting retrospection.
Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Four Labors of Love: Komba Bakkh, Napo, La Vtornik, and Uplotnenie
For all these artists from Russia and Lithuania, new publications are possible only after much effort. The daily grind and social indifference do their best to make creative work maximally difficult.
Sculpting in Time: Talnik, Art Electronix, Copi Chon, and Love Cult
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Kings of Empty Dancefloors: Korablove, Swaves, Luka, and Cao Sao Vang
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
Back to Nature: Silver Wedding, Port Mone, Vozvraschenie, and Alhambra
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
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