Toying with the basic structures of techno or glo-fi, four new recordings from Siberian artists consider a different kind of escapism. Psychology slowly takes the place of dance-floor frippery.
Krasnoyarsk's Klammklang label has become the region's primary outlet for tape music. What, however, is the rationale or philosophy behind such an outmoded format in 2016?
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
The new LP from Sal Solaris is dedicated to transgression, both in sound and society. Other electronic releases from various Russian cities ponder similar themes.
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
From snowy Siberia to the medieval towns of Belarus, a range of new recordings are directly informed by their melancholy setting. A folk ensemble from Saint Petersburg pushes back––with a smile.
Criticism of professional options in Russia and Ukraine is countered with a series of alternatives: psychedelia, fantasy, emigration––and virtual reality.
Two noise projects in Moscow see a connection between their recordings and the nation's social fabric. Similar ideas transpire far away––in Siberia's "Vovne" group.