Industrial

Filter by genres:
Dance | Electronic | Jazz | Pop | Reggae | Rock | All genres
Regions:
Russia | Ukraine | Belarus | All regions
Looking Upwards and Down: IWKC and Art Electronix (FFM37 and 38)
Two new releases from FFM. One is Ukrainian, the other is Russian - and both are instrumental. The difference between them, genres aside, is in their attitude to the weight of the surrounding world.
Abstract Worlds: Ewan Limb, Filatique, Moonscape, and Phil Anker
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
Lasting Influences: Glintshake, TSUFA, 5 Vymir, and Bungalow Bums
From Siberia to Moscow - and even Kiev - a series of new releases admit openly to the influence of Western music from prior decades. A dissatisfaction with the here and now prompts lasting retrospection.
Sculpting in Time: Talnik, Art Electronix, Copi Chon, and Love Cult
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
From Discord to Sonic Therapy: Motherfathers: "Slow Diver" (2014, FFM36)
The Moscow band called Motherfathers have long been associated with the capital's noise and experimental rock scenes. Now, however, they are publishing a drone EP designed overtly as sonic therapy.
Friends and Distant Family: FPRF, Oligarkh, The HIK, and Gnoomes
Surrounded by a series of failing support systems, be they social or financial, four Russian ensembles turn to themes of family. In difficult times, thoughts of friends and colleagues grow more important.
A Retrospective Gaze: Dza, Mujuice, ZOLOTO, and Race to Space
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
Brinstaar: "Shanticore Middlerings" (Rostov-na-Donu/Moscow, FFM33)
Moscow's Brinstaar stands behind a new publishing venture, Kota Records. Over the course of several recent interviews, he establishes an elegant worldview with which to counter the mainstream.
Anton Gudkov and the Okinawa Head Cutters: Omsk Recordings (FFM30)
A few weeks ago in May, the Siberian city of Omsk hosted a festival of street art entitled "Spaces of Multiplicity" A regional sound artist quickly planned a celebration of noise in a pedestrian underpass.
Nonlinear Forms of Production: Rhizome, Yuka, Love Cult, and Dza
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
1 | 2 | 3 | 4 | 5 | 6 | >

Related Artists