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A Great Escape: Magnetic Poetry, Kompakt–Katya, SiJ, and King Imagine
In the absence of a clearly structured marketplace, contemporary music in Russia is increasingly a form of self-expression. Social impact is neither easy, nor especially wanted.
Effort as Transcendence: Doyeq, OMMA, Heavenchord, and Skajite Michilu
As a range of obstacles, both private and professional, stop musicians from working uninterrupted, diligence acquires a new significance. It becomes a form of transcendence, far above material woes.
Disintegration Loop: Ovrkl, Bisamråtta, Moscillate, Garimastah & Tikhie Kamni
Several new Russian electronic recordings display an increasing gratitude for both solitude and silence. The further one happens to be from clamorous modernity or a capital city, the better.
An Immaterial, Discreet Charm: Kotra, Yuka, ABC Galaxy, and Indrek Ups
New electronic material from Ukraine, Russia, and Estonia touches upon the demise of military, industrial, and economic rhetoric. Their shared insistence is countered with a love for nothing in particular.
Moderation and Reticence: Siba.Pro, i Delfiny, Honey, and Capo Blanco
For reasons both social and philosophical, four Russian projects release new recordings with zero promotion. The logic of material wellbeing is sidelined in favor of a quieter worldview, hinted at in quotations.
FORMA Festival 2015: Ambidextrous, OID, Dadaisme, Poima, & Midimode
Moscow's FORMA festival just took place and - with its interdisciplinary celebration of modern Russian art - engendered some interesting views of creative "labor" among its many participants
Constant, Creative Seclusion: BAIKAL, Ocean Shiver, x.y.r., and Lemonday
Ambient and lo-fi publications from four northern addresses all ponder the meaning of solitude. It does not lead to melancholy; in fact it offers a productive liberty from the awfulness of social existence.
Outline Festival 2015: "The Sounds Needed for Collective Immersion"
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
Natural Patterns: Letkolben, lwpss, Giriu Dvasios, and Andrey Kiritchenko
New electronic recordings from Belarus, Russia, and Ukraine - via Berlin - question the liberties of commercial and noncommercial enterprise. The same questions are framed ecologically.
Wandering Forms of Psychedelia: Dyad, x.y.r., Arktor, and Feldmaus
Four solo electronic projects from different Russian cities display varying degrees of displeasure with actuality. As faith in civic promise dwindles, the need for wistfulness to provide a valid alternative grows.
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