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A Very Fluid Movement: Gultskra Artikler, Mårble, Ajokki, and Wet Straw
Toying with the basic structures of techno or glo-fi, four new recordings from Siberian artists consider a different kind of escapism. Psychology slowly takes the place of dance-floor frippery.
Getting There: Lena Kudrina, Kawri's Whisper, Endless Melancholy & Isea N
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
Time to Listen: Information Ghetto, Lay-Far, Low Orbit Satellite & Tikriaeht
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Just One Letter: Kobra, Awlnight, Sasha Vinogradova, Mariqa & Armanjazz
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
Rhythmic Designs: Rave Smith, Roma Khleb (RJB), Tony Soprano & Mårble
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
Unvoiced Dreams: Sirotkin, Artek Elektronika, The Tairyfale, Kim & Buran
As a series of new recordings take inspiration from the melancholy romance of Soviet pop music, the question arises: what about tomorrow?
Three Moscow Networks: NII, GOST Zvuk, and the John's Kingdom Label
A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
An Almost Hallucinogenic Anxiety: Dza, IJO, 300 Degrees, and Escenda
Four dancefloor recordings, from very different locations in Russia and Lithuania, are linked by a sense of troubling, yet productive worry.
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