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Fantasia versus Nothing: Smokey Hill, Delete, Sotus, Honey & Heavenchord
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Two Kinds of Anonymity: Paul Menska, x.y.r., IC3PEAK, and Milky Toad
Russian social networks are home both to shyness and subversion. Some artists seek nameless refuge, while others plan loud protest––from nowhere.
Quixotic Contradictions: Vihrea, Alex Kelman, Siba.Pro, and Antrru
Four new recordings from Siberia, Karelia and Saint Petersburg try to contradict actuality with unique daydreams and fantasies. Not all of them work.
Lost Dubs: Bop, Dissident, Korsun, Oak, Nuage, and Electrosoul System
The Microfunk label in Saint Petersburg has decided to archive and advertise some of its premium material from recent years. The reasons for doing so are locally specific.
Heavy Industry and Introspection: Hiroshima Toy Pet Records (Omsk)
From one industrial city in Southern Siberia comes a wide range of noise experiments, informed by their social surroundings. Clamor fades into calm.
Discreet Stanzas: Anton Malinen, Grebenshchik, Gaya Marina & "Bo i Bro"
Four new acoustic releases have roots in very diverse towns, all the way from Magadan to Kharkiv. What they share is a desire to hide from crude actuality.
A Very Fluid Movement: Gultskra Artikler, Mårble, Ajokki, and Wet Straw
Toying with the basic structures of techno or glo-fi, four new recordings from Siberian artists consider a different kind of escapism. Psychology slowly takes the place of dance-floor frippery.
Getting There: Lena Kudrina, Kawri's Whisper, Endless Melancholy & Isea N
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
Time to Listen: Information Ghetto, Lay-Far, Low Orbit Satellite & Tikriaeht
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
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