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Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Sculpting in Time: Talnik, Art Electronix, Copi Chon, and Love Cult
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Kings of Empty Dancefloors: Korablove, Swaves, Luka, and Cao Sao Vang
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
Fuselab Wistfulness: Galun, Nienvox, Frunk29, and Summer of Haze
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
Dadaisme: "Dasein Mosaic" (Togliatti and Moscow, FFM31)
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
Nonlinear Forms of Production: Rhizome, Yuka, Love Cult, and Dza
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
Кishochki "Community" (Moscow, FFM21)
Many hundreds of miles from Moscow, an ailing industrial town is home to some introspective, barely audible instrumentals. They celebrate friendship and community in ways that dismiss distance.
Skajite Michilu: The Bicycle EP (Yakutsk, FFM15)
One of the most isolated places we've documented on FFM also has the potential to become one of the most promising: Yakutia. Skajite Michilu (Michil Ambrosyev) was raised 3,000 miles from Moscow.
Art Electronix: Partly Broken (Kryvyi Rih FFM6)
Art Electronix (Krivoi Rog, Ukraine): "In most cases, our compositions are made from collages of aging, defective sounds - together with old-school drum machine beats, all in the true Detroit spirit."
A Sense of Movement: Miusha, La Vtornik, Mon.ka, and Camel Crock
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.
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