Toying with the basic structures of techno or glo-fi, four new recordings from Siberian artists consider a different kind of escapism. Psychology slowly takes the place of dance-floor frippery.
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
As various bands perform in distant places, travel the globe, or simply dream, a common desire emerges: the possibility of erasing geography altogether.
For musicians working with minimal time and zero financial support, the role of teamwork is vital. Three new releases from Russia and Latvia celebrate joint effort.
Three new compilation albums bring together dance tracks from Russia, Belarus, and Estonia. A range of producers from small towns and provincial cities join forces––in new networks.
A new and wide-ranging compilation of Lithuanian electronic producers has just appeared, entitled "Ritmo Kovos 4" (Beat Battle #1). It bears much social import.