Two noise projects in Moscow see a connection between their recordings and the nation's social fabric. Similar ideas transpire far away––in Siberia's "Vovne" group.
Two of Russia's most significant independent labels––Electronica and Full of Nothing––have begun the New Year with simultaneous compilation albums.
Alexander Zaitsev's new instrumental recording refers to modern spirituality as a faint, flickering light in a tunnel. Some other Russian electronic releases this week concur.
One primary impulse in contemporary East European music is the desire for soundscapes to counter actuality. Four new recordings look askance at whatever is going on outside the front door.
New drone and industrial recordings from Russia and Ukraine turn their attention simultaneously to anxiety and depression. Both, perhaps, indicate dissatisfaction - and therefore a burgeoning hope.
New electronic material from Ukraine, Russia, and Estonia touches upon the demise of military, industrial, and economic rhetoric. Their shared insistence is countered with a love for nothing in particular.
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
Four solo electronic projects from different Russian cities display varying degrees of displeasure with actuality. As faith in civic promise dwindles, the need for wistfulness to provide a valid alternative grows.
The Mental Force Music Festival takes place in Minsk on May 22-23. It is designed both to showcase the best of Belarusian electronica and discover some productive overlap with Western colleagues.
Beginning with an improvised recording from London, these new publications all share a conviction that telling patterns exist in natural disorder. What's needed to discern them is dedication and hard work.