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Nowhere in Particular: Biblioteka, EIMIC, February, and Blackpaperplanes
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
Considerable Noise from Tomsk, Siberia: Jack Wood (FFM32)
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
Lemonday: "Favorite" (Krasnoyarsk/ Saint-Petersburg, FFM28)
The Saint Petersburg band Lemonday are currently a threesome: Julia Nakaryakova, Zhenya Il', and drummer Anton Pokrovsky. Together their craft wonderfully witty, lo-fi songs about life's underdogs.
uSSSy: "Unsharp Mask" (Moscow, FFM16)
uSSSy is/are an instrumental duo from Moscow: Artem Galkin (guitar) and Pavel Eremeev (drums). As Galkin calmly announces his departure from the band, a central theme of absence reappears.
Selekhov (Rostov-na-Donu, FFM12): The Eponymous Album
From Rostov-na-Donu comes psychedelic noise-rock that looks back with fondness to the earliest days of the Space Race. Heavy industry suddenly started to throw off the shackles of gravity.
Hellspin: Two (Moscow, FFM7)
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."
Deviations: Polska Radio One, Another Mask, Poupee F, and Mars-96
Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Slavic Noir: Serdceder, Fanny Kaplan, Parc Hotel, and Stone Submarines
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.
Yielding: Glintshake, Okudjav, Commercial Marines, and Universe Inside
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.
An Ideal Outlook: Slackers, Limebridge, Waltz, and 2MORROW2LATE
The need for young musicians to hold down a couple of jobs can be trying. Related material complications lead, over time, to a celebration of immaterial values, such as wistfulness and a slacker ethos.
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