Surrounded by a series of failing support systems, be they social or financial, four Russian ensembles turn to themes of family. In difficult times, thoughts of friends and colleagues grow more important.
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
The Saint Petersburg band Lemonday are currently a threesome: Julia Nakaryakova, Zhenya Il', and drummer Anton Pokrovsky. Together their craft wonderfully witty, lo-fi songs about life's underdogs.
uSSSy is/are an instrumental duo from Moscow: Artem Galkin (guitar) and Pavel Eremeev (drums). As Galkin calmly announces his departure from the band, a central theme of absence reappears.
From Rostov-na-Donu comes psychedelic noise-rock that looks back with fondness to the earliest days of the Space Race. Heavy industry suddenly started to throw off the shackles of gravity.
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."
Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.