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Vmgnovenijah: "Smoke" and a Stubborn Independence
Vmgnovenijah are a trio: Sasha Stroganov (guitar/vocals), Svyatoslav Vershinin (drums/percussion), and Pavel Klushnik (bass). Their ornate, almost unpronounceable stage-name is actually a deliberately odd combination of two words in Russian, which - when placed equally close in English - might read "Inmoments."
The Sounds of a Meaningless Heritage: Rock's Seasonal Roundup
As FFM reconsiders some of the Russian and Belarusian rock recordings of winter 2016, a common theme emerges of self-deprecation. Albeit with strange benefits.
Sonic Garbage: Won James Won, AWOTT, Zhenya Kukoverov & IHNABTB
Our interlocking and semi-improvised recordings from Moscow's underground rock scene still give voice––in 2016––to some very old dilemmas indeed.
Monologs and a Stereo Sound: Vanyn, Ethica, Bananafish & Jonny Online
The recordings under consideration all speak in favor of humility and various forms of dialog. Current actuality, however, tends to prefer a strident monolog.
Sense and Sensibility: Slackers, Red Deer, Ned Hoper & Zhenya Kukoverov
As Russia struggles with economic disarray, four rock recordings across the country ponder the role of songwriting as an alternative expression of "law and order."
Nowhere to Play: Glintshake, WLVS, Mooncake, & Show Me a Dinosaur
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
A Shared Silence: Petlia Pristrastiia, Say My Name, Volchok & Weary Eyes
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
Seven Kinds of Solitude: The Best of New Belarusian Songwriting
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
Sobering Answers: On-the-Go, Lemonday, Sonic Death, and Palms on Fire
Four rock bands consider their professional success––and the sacrifice it demands. Various alternatives are pondered to linear notions of progress.
Shouts across the Void: Shop Assistants, JUUR, Stoned Jesus & Saint God
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
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