The Ezhevika label in Minsk, Belarus has published a new compilation of regional music. The contributors consider their bonds both to colleagues and predecessors.
New publications from Anton Maskeliade and Valotihkuu have a pedagogical intent. The former artist is actually a teacher; the latter hopes to champion the importance of noiseless humility.
UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
"The theme of an .exe file loops backs to my very own childhood: to the sounds of idm music, to DOS programs, and an overall sense of 'cyber-romance'" (Pixelord, Aleksey Devyanin)
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
The Microfunk label in Saint Petersburg has decided to archive and advertise some of its premium material from recent years. The reasons for doing so are locally specific.
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.