Glitch-Hop

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The FFM Festival in Los Angeles: Film, Food, Music, and Northern Life
UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
Solo: Arizona Dream, A. Zaitsev, Sweet Mountains, Vejopatis & Giriu Dvasios
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Almost Nowhere to Be Seen: SBPCh (СБП4), Ferrein, Tiiiza, and Pixelord
"The theme of an .exe file loops backs to my very own childhood: to the sounds of idm music, to DOS programs, and an overall sense of 'cyber-romance'" (Pixelord, Aleksey Devyanin)
Fantasia versus Nothing: Smokey Hill, Delete, Sotus, Honey & Heavenchord
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Lost Dubs: Bop, Dissident, Korsun, Oak, Nuage, and Electrosoul System
The Microfunk label in Saint Petersburg has decided to archive and advertise some of its premium material from recent years. The reasons for doing so are locally specific.
Time to Listen: Information Ghetto, Lay-Far, Low Orbit Satellite & Tikriaeht
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
Rhythmic Designs: Rave Smith, Roma Khleb (RJB), Tony Soprano & Mårble
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
From Abstract to Anarchist: Ninja Glam and Clonki (FFM52 and 53)
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
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