Beginning with an improvised recording from London, these new publications all share a conviction that telling patterns exist in natural disorder. What's needed to discern them is dedication and hard work.
Placed end to end, four new electronic recordings from Russia and Belarus advocate a retreat into silence. Nothingness holds more appeal than specificity.
The Subwise label in Saint Petersburg remains as busy as ever. We have chosen seven new releases from Russian and Ukrainian artists, as proof that a common worldview is developing among them all.
The physical destruction in Donetsk is only one form of material failure encountered by Slavic musicians today. Together they head for digital realms instead.
Empty realms, such as the forests of Karelia, have differing meanings for these artists. Nonetheless, a shared conviction transpires that movement into nothingness at least symbolizes potential.
Various inevitabilities gather strength around three releases from Moscow, St. Petersburg, and Minsk. In the face of diminishing liberties, a certain presentism emerges, celebrating the here and now.
Two recurring reference points in Slavic electronica are childhood and the open landscapes that symbolize an early liberty. Four new releases interweave these motifs, whilst mourning the clamor of modernity.
Four new publications, stretching from provincial Belarus to Vladivostok, look askance at social existence. The more crudity and/or banality it manifests, the more self-reliance comes to the fore.
Two new releases from FFM originate in Moscow and Kiev. A couple of solo performers travel parallel trajectories from self-doubt to a less disconcerting state, somewhere on the edge of aspiration.
As the socioeconomic situation worsens in Russia, so do attitudes towards society. Civic activity promises less and less. Consequently, several artists speak in support of minimal interaction.