As the Subwise label in Saint Petersburg releases a new compilation album, celebrating ongoing success in the North, a new project emerges from Surgut. Both foreground the value of joint effort.
Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
Against a backdrop of civic unrest, several Russian and Ukrainian performers opt for a more restrained or "estranged" aesthetic. They begin with the cool, mechanical operations of an old Roland 303.
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.