New drone and industrial recordings from Russia and Ukraine turn their attention simultaneously to anxiety and depression. Both, perhaps, indicate dissatisfaction - and therefore a burgeoning hope.
New electronic material from Ukraine, Russia, and Estonia touches upon the demise of military, industrial, and economic rhetoric. Their shared insistence is countered with a love for nothing in particular.
Four solo electronic projects from different Russian cities display varying degrees of displeasure with actuality. As faith in civic promise dwindles, the need for wistfulness to provide a valid alternative grows.
Several beatmakers in and around the Moscow DOPE90 collective are working hard to resurrect the sound of 90s' boom bap. The main reason they sample old US instrumentals is found at home.
The Mental Force Music Festival takes place in Minsk on May 22-23. It is designed both to showcase the best of Belarusian electronica and discover some productive overlap with Western colleagues.
As an implicit reaction to the growing pomp and circumstance of primetime Russian media, four new releases look back to the sounds and stories of childhood. Not with sentiment, but with purpose.
Beginning with an improvised recording from London, these new publications all share a conviction that telling patterns exist in natural disorder. What's needed to discern them is dedication and hard work.
Placed end to end, four new electronic recordings from Russia and Belarus advocate a retreat into silence. Nothingness holds more appeal than specificity.
The Subwise label in Saint Petersburg remains as busy as ever. We have chosen seven new releases from Russian and Ukrainian artists, as proof that a common worldview is developing among them all.
The physical destruction in Donetsk is only one form of material failure encountered by Slavic musicians today. Together they head for digital realms instead.