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Siberian Flight: Bisamråtta, Foresteppe, and the New Klammklang Tapes
Krasnoyarsk's Klammklang label has become the region's primary outlet for tape music. What, however, is the rationale or philosophy behind such an outmoded format in 2016?
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
Rhythmic Designs: Rave Smith, Roma Khleb (RJB), Tony Soprano & Mårble
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
Three Moscow Networks: NII, GOST Zvuk, and the John's Kingdom Label
A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
Flux: Jelena Glazova, Astma, Kompakt–Katya, Blear Moon, and Sal Solaris
Improvisation plays a key role in a range of new electronic publications. All of them invite listeners to look beyond convention––and therefore far beyond nameable experiential states.
News from the Past: Tikriaeht, Sport & Music, NV, and Computer Graphics
Retrospection is a common theme in Russian and Ukrainian electronica. In some new recordings, it takes on a very different significance altogether.
Some of the Smallest Waves: The "Terminal Dream" Compilation, 2016
A new label in Moscow––Terminal Dream––is dedicated to local ambient artists. Brought together, they reveal some common ideas about sound, space, and purpose.
Deconstruction: Harmash, Mujuice, 4 Positions of Bruno & Gultskra Artikler
Against the backdrop of East European political and economic challenges, four recordings ponder the appeal of deconstructive gestures––rather than stately pomp.
Lithuania's "Ritmo Kovos IV": Chaotic Sounds from a Hornets' Nest
A new and wide-ranging compilation of Lithuanian electronic producers has just appeared, entitled "Ritmo Kovos 4" (Beat Battle #1). It bears much social import.
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