Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
The extremely gifted producer known as Vtgnike has been arrested and imprisoned in Vladimir. We consider the situation, describe his current scene, and offer some ways in which people can help.
ABC Galaxy (Roman Skarednov, Izhevsk): "The 'Captain Eureka' album is an attempt to combine motifs of euphoria, pleasure, panic, and horror. There are parallels with the current economic state in Russia"
Spotovsky (Saint Petersburg): "Everything's designed for psychedelic dancing... by people who are sitting down. This is the soundtrack to a game of hide and seek - with your own echo"
New dancefloor publications from Russia and Ukraine this week touch upon the theme of hard work. It seems that elbow grease guarantees little; even the most diligent souls need an occasional miracle.
The career of Andrey Timonin moves from a southern industrial port to Moscow, London, and then beyond. His resulting trust in hard work is tempered elsewhere - both by doubt and a faltering faith.
When the Sochi Winter Music Conference clashed with the Winter Olympics, scheduling problems arose. The worldview of a house label associated with the SWMC is proposing a solution.
As these performers list the professional or political obstacles facing their work, a nostalgia develops for intuitive, pre-adult experience. Those earliest years harbored some nameless values.
The St. Petersburg community known as "We Are Russians" is busy gathering electronic projects with a special fondness for the 1980s. The soundtrack to perestroika continues to have great relevance.
Interviews surrounding several new dancefloor publications focus on the creation of local scenes. It slowly becomes evident that the role of friendship and collaboration is key in nurturing regional optimism.