Faith is an integral part of Moscow's Gayana project, whose members are both grateful and committed to God. Other beliefs, however, transpire in releases from Ukrainian and Latvian musicians this week.
The Boiler Room live sets have been streamed from Russia since last year. Although they aim to forge global connections, certain aspects of the Russian scene make it unique.
Several beatmakers in and around the Moscow DOPE90 collective are working hard to resurrect the sound of 90s' boom bap. The main reason they sample old US instrumentals is found at home.
New LPs from Minsk, Izhevsk, Yekaterinburg, and Moscow ponder sources of consolation and comfort. One suggests that the greatest consolation is found in one's own domestic "cultural baggage."
Four new publications, stretching from provincial Belarus to Vladivostok, look askance at social existence. The more crudity and/or banality it manifests, the more self-reliance comes to the fore.
Moscow's Anton Maskeliade has published recordings of his "Street Studio," in which passers-by are invited to perform whatever they want. These levels of social optimism are not widely shared.
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
The extremely gifted producer known as Vtgnike has been arrested and imprisoned in Vladimir. We consider the situation, describe his current scene, and offer some ways in which people can help.
ABC Galaxy (Roman Skarednov, Izhevsk): "The 'Captain Eureka' album is an attempt to combine motifs of euphoria, pleasure, panic, and horror. There are parallels with the current economic state in Russia"
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.