A collection of ambient and drone recordings from Yekaterinburg, Sevastopol, and Kiev share a common desire. They all express a sage preference for solitude over city life. Silence often heals.
As a series of new recordings take inspiration from the melancholy romance of Soviet pop music, the question arises: what about tomorrow?
The Belarusian magazine Experty.By has compiled a series of Top Ten lists, cataloging the best bands and recordings of last year.
Objects of desire move further from home in some new house, hip-hop, and bass releases. As fantasy becomes a behavioral norm, some artists discern a historical pattern.
A new label in Moscow––Terminal Dream––is dedicated to local ambient artists. Brought together, they reveal some common ideas about sound, space, and purpose.
Amid four Russian and Ukrainian projects there emerges a telling view of lyricism in modern pop music. A three-minute, micro social narrative is more satisfying than society itself.
Five new albums from the Moscow folk label Sketis manage to interweave a wealth of different times and traditions. Those linkages grow in importance as society refuses to show the same inclusiveness.
New electronic recordings from Moscow and three provincial towns consider the relationship of one's address to hope. In all cases, the biggest and best daydreams will require leaving home.
In four new recordings from Russia and Belarus, thoughts of the future predominate. As tomorrow looks unpredictable, childhood and adolescence gain a special importance.
One of the most enduring motifs of Soviet culture within Russian popular music has been the so-called "Space Race"––the competition between Moscow and Washington to explore the cosmos.