Folktronica

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Back to Nature: Silver Wedding, Port Mone, Vozvraschenie, and Alhambra
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
New from Sketis: Vasilyev Vecher, Baraka, Voronovo Krylo, and Bubamara
The Sketis label is announcing a series of new albums from both Russia and Latvia. They, in turn, draw upon a melange of folk traditions, ranging all the way from Siberia's criminal past to the Balkans or Tajikistan.
Mad, Bad, and Dangerous to Know: Fancy Music's Lermontov LP
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Antique Forms of Social Improvement: Šuma: "Zołak" (Minsk, FFM35)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
Tales of Solitude: Inna Zhelannaia, Naadya, Evgeny Grinko, and Megapolis
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
SV Hutor: The Eponymous Album (Sterlitamak, FFM29)
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
2muchachos: "A Forest Is Not What It Seems" (Cherepovets, FFM20)
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
Between Here and There: Htrspltn, Tilde, John Example, and Talnik
New electronic recordings from a range of outlying Russian cities draw parallels between their location and local history. A sense of distance transpires, both from cultural centers and the passage of time.
Four Understatements: Misha Mishenko, Maguett, Speck, and Sö
Humility and understatement color a number of Russian instrumental releases. Their audible modesty is prompted by childhood memories, an eco-aesthetic, and disorienting experiences online.
Four Prayers: 4 Pozicii Bruno, Anton Batagov, Malinen, and Crane's Dreams
As Yungchen Lhamo and Anton Batagov promote a collaboration grounded in Tibetan prayers, other Russian artists have a different view of distant places. Hope and horror begin to alternate.
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