The Sketis label is announcing a series of new albums from both Russia and Latvia. They, in turn, draw upon a melange of folk traditions, ranging all the way from Siberia's criminal past to the Balkans or Tajikistan.
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
New electronic recordings from a range of outlying Russian cities draw parallels between their location and local history. A sense of distance transpires, both from cultural centers and the passage of time.
Humility and understatement color a number of Russian instrumental releases. Their audible modesty is prompted by childhood memories, an eco-aesthetic, and disorienting experiences online.
As Yungchen Lhamo and Anton Batagov promote a collaboration grounded in Tibetan prayers, other Russian artists have a different view of distant places. Hope and horror begin to alternate.
Moscow's Anise Project is fronted by Anna Volkova. She speaks of how adult experience tempers youthful fantasy. Some causes of that local fatalism are sought by other collectives in folklore.