Folk

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Olga Glazova: The Quiet Sound of Something Absent
Olga Glazova is from St. Petersburg and a professional gusli player of growing repute. Her chosen instrument, responsible for a quintessentially Russian and supposedly pre-urban sound, is a plucked-string harp. The gusli's roots stretch back to the lyre of ancient Greece...
Remember Your Name (Помни Имя Свое): "Other People" (Иные)
The phrase "Remember Your Name" (Pomni imya svoe) comes from a rather severe Soviet movie of 1974, set amid the horrors of World War Two, specifically in frontline suffering and in concentration camps.
Solo: Arizona Dream, A. Zaitsev, Sweet Mountains, Vejopatis & Giriu Dvasios
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Sobering Answers: On-the-Go, Lemonday, Sonic Death, and Palms on Fire
Four rock bands consider their professional success––and the sacrifice it demands. Various alternatives are pondered to linear notions of progress.
A Sweet, Familiar Melancholy: The Cancel, BMB, Tantsui, and Oligarkh
Objects of desire move further from home in some new house, hip-hop, and bass releases. As fantasy becomes a behavioral norm, some artists discern a historical pattern.
The World Outside: Sunrises, Japanese Ash, Nearfield, and Atariame
From snowy Siberia to the medieval towns of Belarus, a range of new recordings are directly informed by their melancholy setting. A folk ensemble from Saint Petersburg pushes back––with a smile.
Songs of Strength and Simplicity: Five New LPs from Sketis Music
Five new albums from the Moscow folk label Sketis manage to interweave a wealth of different times and traditions. Those linkages grow in importance as society refuses to show the same inclusiveness.
Ancient Melodies for Today's Digital Communities: Ored Recordings
Although small, the town of Nalchik in southern Russia lies in a vitally important region. It sits at the bottom of the Caucasus Mountains, not far from Beslan. Here we find Ored Recordings.
Contra: Vėjopatis, Autoisolation, Remember Your Name & Uncapitals Tour
Marxist rhetoric, when addressing social change, likes to codify the passage of quantitative civic changes as qualitative. Four new recordings from Russia and Lithuania adopt the same spirit.
Memories: Dzierzynski Bitz, Deti Picasso, Crossworlds, and Radif Kashapov
From Kiev, Yerevan, Moscow, and Kazan, a range of new publications all turn to distant objects of desire. Whether that distance is temporal or spatial, it always implies dissatisfaction with the present.
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