Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
From a series of Russian and Ukrainian towns, four new releases investigate the benefits of solitude. Introspection leads to a different type of self-promotion, in which anonymity and silence are key.
Several key reference points connect these projects. Some of them originate in Poland, while others take us to Ukraine. Bolder still, however, is the overarching desire of these performers to leave home altogether.
As the New Year rolls around, a handful of Russian publications ponder the weight of history. Have regional events, in a number of different towns, led over time to a specific worldview or behavior, even?
Two new releases from FFM. One is Ukrainian, the other is Russian - and both are instrumental. The difference between them, genres aside, is in their attitude to the weight of the surrounding world.
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
The Sketis label is announcing a series of new albums from both Russia and Latvia. They, in turn, draw upon a melange of folk traditions, ranging all the way from Siberia's criminal past to the Balkans or Tajikistan.
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
Moscow's Brinstaar stands behind a new publishing venture, Kota Records. Over the course of several recent interviews, he establishes an elegant worldview with which to counter the mainstream.