Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
Two new releases from FFM originate in Moscow and Kiev. A couple of solo performers travel parallel trajectories from self-doubt to a less disconcerting state, somewhere on the edge of aspiration.
As the socioeconomic situation worsens in Russia, so do attitudes towards society. Civic activity promises less and less. Consequently, several artists speak in support of minimal interaction.
An air of social disappointment hangs over these recordings, made primarily in Saint Petersburg. As adult experience appears to offer little, the importance of prior cultural landmarks only starts to grow.
All the way from Rome to Moscow and Sochi, four new electronic recordings look askance at social convention. Some respite from tedium is found in a number of absurdist or even "terrorist" tactics
A couple of Saint Petersburg projects find common philosophical ground in two areas. Both are saddened by the woeful potential of actuality - and then turn to their hometown for some time-honored forms of reverie.
The Los Angeles label Not Not Fun has just published a compilation of six female electronic artists. Resident in both Russia and Ukraine, they offer a peaceful, creative alternative to recent events.
Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
From a series of Russian and Ukrainian towns, four new releases investigate the benefits of solitude. Introspection leads to a different type of self-promotion, in which anonymity and silence are key.
Several key reference points connect these projects. Some of them originate in Poland, while others take us to Ukraine. Bolder still, however, is the overarching desire of these performers to leave home altogether.