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Lyricism under Pressure: Naadya, Onuka, The Cancel, and KSKY
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
Nowhere in Particular: Biblioteka, EIMIC, February, and Blackpaperplanes
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
A Retrospective Gaze: Dza, Mujuice, ZOLOTO, and Race to Space
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
Soundscapes: Imandra Lake, Yana Blinder, Magnetic Poetry, and Harajiev
All the way from Tallinn to Kazan, a selection of new recordings consider the value of escapism and/or imagination. A growing disappointment with the here and now only makes fantasy work harder.
Considerable Noise from Tomsk, Siberia: Jack Wood (FFM32)
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
2muchachos: "A Forest Is Not What It Seems" (Cherepovets, FFM20)
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
Hellspin: Two (Moscow, FFM7)
"There's no point trying to drag some super-cool concept from our music. That's not what Hellspin is about. The band is about an emotional high. It's about feelings - and the fact that sometimes you just feel f***ing wonderful."
Roundelay: Russian Melodies (Samara, FFM4)
In the city of Samara is a female choir led by Dmitrii Kolevatykh: Roundelay. This substantial, shifting lineup of young women creates a sound unique within modern Russian music.
Marble Boy: Notion (Kharkiv FFM3)
Marble Boy are a duo from the Ukrainian city of Kharkiv: Anton Shatokhin and Maria Demenko. Recent events at home are tangentially reflected in the private emphases of a new EP, entitled "Notion."
A Sense of Movement: Miusha, La Vtornik, Mon.ka, and Camel Crock
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.
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