Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.
A handful of new rock recordings include overlapping issues of isolation, impending poverty, and grim destiny. Considerable effort is needed in order to erase those feelings of diminished agency.
As mainstream media offers young Russian bands little support, a couple of responses emerge among amateur ensembles. Romantic views of both solitude and friendship transpire.
A solo artist from Krasnoyarsk makes some dark quips about the tendency of life towards "misery and decay." Gradually, however, three simultaneous rock releases turn his humor into bona fide fatalism.
Four bands from Tashkent, Vladivostok, St. Petersburg, and Samara ponder the meaning of subversion. What defines a "rebellious" spirit and should it be directed against social failings?
The noisy garage rock of two young Russian bands is, unexpectedly, a reaction their anxieties. Some grand alternatives to despair - fantasy and boundless optimism - also run into various problems.
The move from a regional center in Russia to Moscow or St. Petersburg can be very daunting. A number of lyrical releases compare those shifts to some related doubts about society in general.
As the V-ROX Festival gets underway in Vladivostok, rock bands from around Russia come together - in a city that's maximally distant from the capital. Issues of geography come quickly to the fore.
Vladivostok will soon host a music festival and professional conference, V-ROX. Conceived by members of Mumiy Troll, V-ROX will introduce Russian and Asian markets to each other.