From one industrial city in Southern Siberia comes a wide range of noise experiments, informed by their social surroundings. Clamor fades into calm.
Krasnoyarsk's Klammklang label has become the region's primary outlet for tape music. What, however, is the rationale or philosophy behind such an outmoded format in 2016?
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
A collection of ambient and drone recordings from Yekaterinburg, Sevastopol, and Kiev share a common desire. They all express a sage preference for solitude over city life. Silence often heals.
The new LP from Sal Solaris is dedicated to transgression, both in sound and society. Other electronic releases from various Russian cities ponder similar themes.
A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
Improvisation plays a key role in a range of new electronic publications. All of them invite listeners to look beyond convention––and therefore far beyond nameable experiential states.
Retrospection is a common theme in Russian and Ukrainian electronica. In some new recordings, it takes on a very different significance altogether.
Against the backdrop of East European political and economic challenges, four recordings ponder the appeal of deconstructive gestures––rather than stately pomp.