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Sculpting in Time: Talnik, Art Electronix, Copi Chon, and Love Cult
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Back to Nature: Silver Wedding, Port Mone, Vozvraschenie, and Alhambra
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
Starting Again: Viljandi Guitar Trio, Alpha-Beta, Wols, and Nikita Bondarev
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
From Discord to Sonic Therapy: Motherfathers: "Slow Diver" (2014, FFM36)
The Moscow band called Motherfathers have long been associated with the capital's noise and experimental rock scenes. Now, however, they are publishing a drone EP designed overtly as sonic therapy.
Lyricism under Pressure: Naadya, Onuka, The Cancel, and KSKY
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
In Situ: Sasha Nevolin, Aanbreken, Former Employees, and Deep Shoq
A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Mad, Bad, and Dangerous to Know: Fancy Music's Lermontov LP
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Fuselab Wistfulness: Galun, Nienvox, Frunk29, and Summer of Haze
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
Antique Forms of Social Improvement: Šuma: "Zołak" (Minsk, FFM35)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
TosyaChai: "Dreams" (Saint Petersburg, FFM34)
TosyaChai is the stage-name of Tosilya Chaikina from Saint Petersburg. Until recently she performed as one half of More Oblakov. A debut solo album is now published through FFM.
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