Electro-/technopop

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A Retrospective Gaze: Dza, Mujuice, ZOLOTO, and Race to Space
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
A Growing Importance of Things Local: The Stereoleto Festival 2014
The Russian music festival Stereoleto is about to start in Saint Petersburg. We examine some ideas behind the event's success and endurance. A link between diligence and dreams quickly emerges.
Obscurum Per Obscurius: The 2014 Schilling Festival (Estonia)
This year's Schilling Festival is about to start in Estonia. There's a special overlap between the festival's philosophy and the worldview of several Estonian bands taking part. Ideals and actuality coincide.
Dadaisme: "Dasein Mosaic" (Togliatti and Moscow, FFM31)
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
SV Hutor: The Eponymous Album (Sterlitamak, FFM29)
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
Nonlinear Forms of Production: Rhizome, Yuka, Love Cult, and Dza
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
Misha Mishenko and Alwayslate: "In Pursuit of Light/Chapter" (FFM26/27)
"When I compose, I simply turn off my brain and surrender to a flight of fancy. It's something elusive. It happens all of a sudden, spontaneously... it's what you might call 'improvisation of the heart and soul.'"
Sansara: "Needle" (Yekaterinburg, FFM24)
This week we're republishing a classic recording from one of Russia's most important and consistently surprising bands. It comes together with English translations and a host of contextual materials.
Sugar God: "Amanzi" (Moscow, FFM19)
Sugar God (Evgeny Pozdnyakov, Moscow): "I've tried to create the atmosphere of being in outer space, or of a bird's flight. It's a combination of romantic solitude and nostalgia"
Skajite Michilu: The Bicycle EP (Yakutsk, FFM15)
One of the most isolated places we've documented on FFM also has the potential to become one of the most promising: Yakutia. Skajite Michilu (Michil Ambrosyev) was raised 3,000 miles from Moscow.
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