From downtempo lounge to broken techno and "psychoactive go-fi," a range of new Russian dance floor recordings prefer to celebrate private, rather than public effort.
From Russia, Ukraine, Belarus, and Lithuania come four responses to the drudgery and dead weight of quotidian experience. The most satisfying among them involve looking backwards.
New electronic material from Ukraine, Russia, and Estonia touches upon the demise of military, industrial, and economic rhetoric. Their shared insistence is countered with a love for nothing in particular.
For reasons both social and philosophical, four Russian projects release new recordings with zero promotion. The logic of material wellbeing is sidelined in favor of a quieter worldview, hinted at in quotations.
Ambient and lo-fi publications from four northern addresses all ponder the meaning of solitude. It does not lead to melancholy; in fact it offers a productive liberty from the awfulness of social existence.
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
Faith in social spheres is a theme discussed in new material from Moscow, Kiev, and a range of Estonian towns. Not everybody shares an optimistic view of audiences and other noisy collectives.
New electronic recordings from Belarus, Russia, and Ukraine - via Berlin - question the liberties of commercial and noncommercial enterprise. The same questions are framed ecologically.
As an implicit reaction to the growing pomp and circumstance of primetime Russian media, four new releases look back to the sounds and stories of childhood. Not with sentiment, but with purpose.
Beginning with an improvised recording from London, these new publications all share a conviction that telling patterns exist in natural disorder. What's needed to discern them is dedication and hard work.