Late last year, the online dance and electronica station RTS.FM celebrated its tenth anniversary. A new collection of sets and podcasts continues to shape a musical virtuality.
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
Four dancefloor recordings, from very different locations in Russia and Lithuania, are linked by a sense of troubling, yet productive worry.
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
All the way from Moscow to the villages of Siberia, a common idea finds voice in a handful of dance floor publications. In four of these releases, the romance of nostalgia and happy stasis proves most persistent.
As new recordings appear for dance floors across Russia and Ukraine, one would expect hedonism and jollity to predominate. The challenges of a touring musician quickly change the mood.
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
The Boiler Room live sets have been streamed from Russia since last year. Although they aim to forge global connections, certain aspects of the Russian scene make it unique.