Olga Glazova is from St. Petersburg and a professional gusli player of growing repute. Her chosen instrument, responsible for a quintessentially Russian and supposedly pre-urban sound, is a plucked-string harp. The gusli's roots stretch back to the lyre of ancient Greece...
A compilation album showcasing new electronica from Krasnodar not only advertises a reputable academy in 2017. It is also inspired by a vinyl past.
The Ezhevika label in Minsk, Belarus has published a new compilation of regional music. The contributors consider their bonds both to colleagues and predecessors.
Minimal techno and bass publications from Moscow and Kiev bear an overarching theme this season: hard work. Their PR rhetoric, however, is not always enthusiastic.
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
"The theme of an .exe file loops backs to my very own childhood: to the sounds of idm music, to DOS programs, and an overall sense of 'cyber-romance'" (Pixelord, Aleksey Devyanin)
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Russian social networks are home both to shyness and subversion. Some artists seek nameless refuge, while others plan loud protest––from nowhere.
Four new recordings from Siberia, Karelia and Saint Petersburg try to contradict actuality with unique daydreams and fantasies. Not all of them work.
Four new acoustic releases have roots in very diverse towns, all the way from Magadan to Kharkiv. What they share is a desire to hide from crude actuality.