Moscow's Highway Records is publishing a collection of deep- and tech-house tracks from around Russia. One commonality between the participants is an endorsement of self-education and diligence.
In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
For all these artists from Russia and Lithuania, new publications are possible only after much effort. The daily grind and social indifference do their best to make creative work maximally difficult.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
The career of Andrey Timonin moves from a southern industrial port to Moscow, London, and then beyond. His resulting trust in hard work is tempered elsewhere - both by doubt and a faltering faith.
When the Sochi Winter Music Conference clashed with the Winter Olympics, scheduling problems arose. The worldview of a house label associated with the SWMC is proposing a solution.
St. Petersburg has a new club - Heisenberg - which has grown from the local Squat Academy and iTech Sound System. Running the show are Sasha Kaktus, DJ Pitters, and their colleague Yuri Skiff.
Fresh house compositions from Russia and Lithuania show some fundamental, even universal elements of a house tradition. They celebrate the longstanding inclusiveness of classic disco in difficult times.
Ultra Vague is a Ukrainian netlabel that recently celebrated its fifth anniversary. Not surprisingly, overlapping themes of hard work and fidelity run through a number of releases.