New dancefloor publications from both solo artists and ensembles this week underscore the importance of support systems, either in childhood or when professional obstacles loom later on in life.
In an allegedly post-commercial environment, where hard work in the studio is no guarantee of a salary, the value of labor is often debated. The responses range from diligence to full-blown decadence.
For reasons both social and philosophical, four Russian projects release new recordings with zero promotion. The logic of material wellbeing is sidelined in favor of a quieter worldview, hinted at in quotations.
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
The Boiler Room live sets have been streamed from Russia since last year. Although they aim to forge global connections, certain aspects of the Russian scene make it unique.
As an implicit reaction to the growing pomp and circumstance of primetime Russian media, four new releases look back to the sounds and stories of childhood. Not with sentiment, but with purpose.
A couple of northern projects look with fondness at Soviet culture, given the failings of the present day. More powerful than childhood retrospection, however, is the invocation of an ancient tradition.
Moscow's Anton Maskeliade has published recordings of his "Street Studio," in which passers-by are invited to perform whatever they want. These levels of social optimism are not widely shared.
Moscow's Highway Records is publishing a collection of deep- and tech-house tracks from around Russia. One commonality between the participants is an endorsement of self-education and diligence.
In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.