A modest experiment on Moscow's music scene has spawned a great deal of attention. "Science and Art" (NII) has also fueled a couple of vital labels.
Four dancefloor recordings, from very different locations in Russia and Lithuania, are linked by a sense of troubling, yet productive worry.
Retrospection is a common theme in Russian and Ukrainian electronica. In some new recordings, it takes on a very different significance altogether.
For musicians working with minimal time and zero financial support, the role of teamwork is vital. Three new releases from Russia and Latvia celebrate joint effort.
Criticism of professional options in Russia and Ukraine is countered with a series of alternatives: psychedelia, fantasy, emigration––and virtual reality.
Two of Russia's most significant independent labels––Electronica and Full of Nothing––have begun the New Year with simultaneous compilation albums.
An interwoven network of musicians in Saint Petersburg unveils a series of publications––almost simultaneously. Perhaps unsurprisingly, they all share common ideas and convictions.
Across the varied contexts of cyberpunk narratives, trash TV, driving Moscow techno, and religious satire runs a common theme. The value of humility.
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
Moscow's Hyperboloid label releases a new compilation, dedicated to the noisy residents of Russia's "cyberghetto." That neologism has several meanings, both local and international.