A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
The extremely gifted producer known as Vtgnike has been arrested and imprisoned in Vladimir. We consider the situation, describe his current scene, and offer some ways in which people can help.
ABC Galaxy (Roman Skarednov, Izhevsk): "The 'Captain Eureka' album is an attempt to combine motifs of euphoria, pleasure, panic, and horror. There are parallels with the current economic state in Russia"
Art Electronix (Krivoi Rog, Ukraine): "In most cases, our compositions are made from collages of aging, defective sounds - together with old-school drum machine beats, all in the true Detroit spirit."
Spotovsky (Saint Petersburg): "Everything's designed for psychedelic dancing... by people who are sitting down. This is the soundtrack to a game of hide and seek - with your own echo"
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.
New dancefloor publications from Russia and Ukraine this week touch upon the theme of hard work. It seems that elbow grease guarantees little; even the most diligent souls need an occasional miracle.