Recent industrial publications from Kiev (via Vienna) and Moscow (via Omsk) juxtapose a factory-floor aesthetic with regional, chronically ailing networks
New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Minimal techno and bass publications from Moscow and Kiev bear an overarching theme this season: hard work. Their PR rhetoric, however, is not always enthusiastic.
Three recordings from Saint Petersburg find themselves making social statements with tools taken from other towns and times. Cheap science fiction is especially enlightening.
UCLA will bring together popular and classical music artists, film, cuisine and graphic art from Russia, the Ukraine and the Baltics for “Far From Moscow.”
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
The Microfunk label in Saint Petersburg has decided to archive and advertise some of its premium material from recent years. The reasons for doing so are locally specific.
CXEMA (The Scheme) is an underground techno community in Kiev. Four new podcasts, each showcasing an electronic artist, are unavoidably framed by recent events.
Late last year, the online dance and electronica station RTS.FM celebrated its tenth anniversary. A new collection of sets and podcasts continues to shape a musical virtuality.