One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
A Moscow EP and a Kiev LP together offer a dancefloor philosophy in troubled times between Russia and Ukraine. The five artists involved suggest that private virtues might improve public norms
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
The extremely gifted producer known as Vtgnike has been arrested and imprisoned in Vladimir. We consider the situation, describe his current scene, and offer some ways in which people can help.
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.
New dancefloor publications from Russia and Ukraine this week touch upon the theme of hard work. It seems that elbow grease guarantees little; even the most diligent souls need an occasional miracle.
The career of Andrey Timonin moves from a southern industrial port to Moscow, London, and then beyond. His resulting trust in hard work is tempered elsewhere - both by doubt and a faltering faith.
When the Sochi Winter Music Conference clashed with the Winter Olympics, scheduling problems arose. The worldview of a house label associated with the SWMC is proposing a solution.
As these performers list the professional or political obstacles facing their work, a nostalgia develops for intuitive, pre-adult experience. Those earliest years harbored some nameless values.
Romantic metaphors inform these new recordings, all borrowed from discussions of open forests, boundless oceans, and "schizoid" thought. Daily life, however, stubbornly refuses to cooperate.