From downtempo lounge to broken techno and "psychoactive go-fi," a range of new Russian dance floor recordings prefer to celebrate private, rather than public effort.
Moscow's FORMA festival just took place and - with its interdisciplinary celebration of modern Russian art - engendered some interesting views of creative "labor" among its many participants
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
The Boiler Room live sets have been streamed from Russia since last year. Although they aim to forge global connections, certain aspects of the Russian scene make it unique.
The physical destruction in Donetsk is only one form of material failure encountered by Slavic musicians today. Together they head for digital realms instead.
New dancefloor offerings from Russia and Estonia struggle with viable forms of optimism. "Escapism" becomes less a matter of hedonism and more a conscious response to unsatisfying actuality.
Moscow's Highway Records is publishing a collection of deep- and tech-house tracks from around Russia. One commonality between the participants is an endorsement of self-education and diligence.
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
A Moscow EP and a Kiev LP together offer a dancefloor philosophy in troubled times between Russia and Ukraine. The five artists involved suggest that private virtues might improve public norms
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.