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Firestorms on a Wounded Landscape: Ivan Erofeev and Zavoloka
Recent industrial publications from Kiev (via Vienna) and Moscow (via Omsk) juxtapose a factory-floor aesthetic with regional, chronically ailing networks
A Refusal to Choose: Cadeu, Sal Solaris, Alexey Volkov, and Apex Sphere
New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Solo: Arizona Dream, A. Zaitsev, Sweet Mountains, Vejopatis & Giriu Dvasios
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Heavy Industry and Introspection: Hiroshima Toy Pet Records (Omsk)
From one industrial city in Southern Siberia comes a wide range of noise experiments, informed by their social surroundings. Clamor fades into calm.
Siberian Flight: Bisamråtta, Foresteppe, and the New Klammklang Tapes
Krasnoyarsk's Klammklang label has become the region's primary outlet for tape music. What, however, is the rationale or philosophy behind such an outmoded format in 2016?
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
Thresholds: Sal Solaris, Bisamratta/M. Sultan, Crane's Dreams, Borisov & Salnikov
The new LP from Sal Solaris is dedicated to transgression, both in sound and society. Other electronic releases from various Russian cities ponder similar themes.
Flux: Jelena Glazova, Astma, Kompakt–Katya, Blear Moon, and Sal Solaris
Improvisation plays a key role in a range of new electronic publications. All of them invite listeners to look beyond convention––and therefore far beyond nameable experiential states.
Deconstruction: Harmash, Mujuice, 4 Positions of Bruno & Gultskra Artikler
Against the backdrop of East European political and economic challenges, four recordings ponder the appeal of deconstructive gestures––rather than stately pomp.
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