Two noise projects in Moscow see a connection between their recordings and the nation's social fabric. Similar ideas transpire far away––in Siberia's "Vovne" group.
Two of Russia's most significant independent labels––Electronica and Full of Nothing––have begun the New Year with simultaneous compilation albums.
One primary impulse in contemporary East European music is the desire for soundscapes to counter actuality. Four new recordings look askance at whatever is going on outside the front door.
New drone and industrial recordings from Russia and Ukraine turn their attention simultaneously to anxiety and depression. Both, perhaps, indicate dissatisfaction - and therefore a burgeoning hope.
New electronic material from Ukraine, Russia, and Estonia touches upon the demise of military, industrial, and economic rhetoric. Their shared insistence is countered with a love for nothing in particular.
Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
Empty realms, such as the forests of Karelia, have differing meanings for these artists. Nonetheless, a shared conviction transpires that movement into nothingness at least symbolizes potential.
Various inevitabilities gather strength around three releases from Moscow, St. Petersburg, and Minsk. In the face of diminishing liberties, a certain presentism emerges, celebrating the here and now.
Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
As the socioeconomic situation worsens in Russia, so do attitudes towards society. Civic activity promises less and less. Consequently, several artists speak in support of minimal interaction.