Art Electronix (Krivoi Rog, Ukraine): "In most cases, our compositions are made from collages of aging, defective sounds - together with old-school drum machine beats, all in the true Detroit spirit."
Spotovsky (Saint Petersburg): "Everything's designed for psychedelic dancing... by people who are sitting down. This is the soundtrack to a game of hide and seek - with your own echo"
Some Russian recordings this week refer to their distance from the capital, directly or otherwise. Rather than fall victim to any stereotypes of provinciality, they instead see a benefit in remoteness.
New dancefloor publications from Russia and Ukraine this week touch upon the theme of hard work. It seems that elbow grease guarantees little; even the most diligent souls need an occasional miracle.
A number of new recordings concern themselves with the passage of time. That central theme leads to a growing nostalgia, motifs taken from childhood, and various audible aspects of cassette culture.
The career of Andrey Timonin moves from a southern industrial port to Moscow, London, and then beyond. His resulting trust in hard work is tempered elsewhere - both by doubt and a faltering faith.
When the Sochi Winter Music Conference clashed with the Winter Olympics, scheduling problems arose. The worldview of a house label associated with the SWMC is proposing a solution.
The St. Petersburg community known as "We Are Russians" is busy gathering electronic projects with a special fondness for the 1980s. The soundtrack to perestroika continues to have great relevance.
Interviews surrounding several new dancefloor publications focus on the creation of local scenes. It slowly becomes evident that the role of friendship and collaboration is key in nurturing regional optimism.
St. Petersburg has a new club - Heisenberg - which has grown from the local Squat Academy and iTech Sound System. Running the show are Sasha Kaktus, DJ Pitters, and their colleague Yuri Skiff.