Crossover Jazz

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Tales of Solitude: Inna Zhelannaia, Naadya, Evgeny Grinko, and Megapolis
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
Happy55: "A Magic Word" (Voronezh, FFM25)
Happy55 are a jazz trio from the southern industrial city of Voronezh. Against that backdrop, and the weight of ailing history, these gifted performers find much value in improvisation and spontaneity.
Zimne: "Flying in Dreams and Daylight" (Novosibirsk, FFM23)
Novosibirsk's Zimne have released a second LP of metaphysical trip-hop. These new songs combine the core themes of earthbound romance, distant galaxies, and a painful gap between them.
Kubikmaggi (Saint Petersburg, FFM18)
"The band has trouble recalling specific dates. Its members instead neglect any chronology; in fact, they're barely able to count, giving all the time they've spent working with different time signatures"
Ameli na Meli (Aleksandra Obraztsova / Moscow, FFM14)
Aleksandra Obraztsova's intriguing stage-name is a play upon the title of Jean-Pierre Jeunet's 2001 feature "Amelie." Obraztsova authors her hushed, pensive songs using the alter ego of "Ameli na Meli."
Alina Os: The Acoustic EP (Moscow, FFM13)
Alina Os is a young exponent of acoustic hip-hop from the edge of Moscow. Her songs, just like her address, promise a little peace, quiet, and dignity on the periphery of Europe's biggest city.
Argo Vals: Oxymoron (Tartu, Estonia FFM5)
Argo Vals is an Estonian multi-instrumentalist and composer. His career can be traced back to 2006, when initial, DIY tracks morphed slowly into several Baltic ensembles. A reputation started to grow.
Marble Boy: Notion (Kharkiv FFM3)
Marble Boy are a duo from the Ukrainian city of Kharkiv: Anton Shatokhin and Maria Demenko. Recent events at home are tangentially reflected in the private emphases of a new EP, entitled "Notion."
Four Understatements: Misha Mishenko, Maguett, Speck, and Sö
Humility and understatement color a number of Russian instrumental releases. Their audible modesty is prompted by childhood memories, an eco-aesthetic, and disorienting experiences online.
Archival Tapes: Ambidextrous, KLIM Beats, Elphy Ant, and Jwush
A number of new recordings concern themselves with the passage of time. That central theme leads to a growing nostalgia, motifs taken from childhood, and various audible aspects of cassette culture.
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