Crossover Jazz

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High-Frequency Pressures: Cream Soda, Mamanet, Naadya, and Filatique
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
Improvisation: Artemiev, A. Toymintseva, M. Kutskova, and A. Rostotskaya
Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
From Abstract to Anarchist: Ninja Glam and Clonki (FFM52 and 53)
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
An Almost Hallucinogenic Anxiety: Dza, IJO, 300 Degrees, and Escenda
Four dancefloor recordings, from very different locations in Russia and Lithuania, are linked by a sense of troubling, yet productive worry.
A Sweet, Familiar Melancholy: The Cancel, BMB, Tantsui, and Oligarkh
Objects of desire move further from home in some new house, hip-hop, and bass releases. As fantasy becomes a behavioral norm, some artists discern a historical pattern.
Virtual Trajectories: Oxxxymiron, The Erised, ABC Galaxy, and Vakula
Criticism of professional options in Russia and Ukraine is countered with a series of alternatives: psychedelia, fantasy, emigration––and virtual reality.
Hybrid Sound and Social Potentials: Happy New Year from Hyperboloid
Moscow's Hyperboloid label has a New Year's compilation to announce, including six tracks from Raumskaya, Cadeu, Koloah, Fisky, A.Fruit, and Baked Milk.
Twisting and Turning: Another Mask, Yawn Hic, WLVS, and Rivoli
Two rock bands from Samara join philosophical forces with new recordings from Moscow and Nizhny Novgorod. Taken together, these four outfits fashion a worldview to counter cocky "progression."
Distant Stars: K.A.T.Y.A., Cricket Captains, Shuma, and Misha Mishenko
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
Amity: Wednesday Morning, Young Adults, Kate in the Box & Platya za 130
Two all-female Russian outfits sing of human relations with bittersweet humor. Placed together with other releases this week, their knowing smiles become an overarching social skepticism.
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