The very British wordplay behind "Ponty Mython" belongs, in fact, to St. Petersburg native Aleksandr Pletnev, who now lives in the Lithuanian capital, Vilnius. His newest house release, "The Tropic of Capricorn EP," emerges this month on the heels of a tellingly brief interview for Test Press. Diligence takes the place of any wordy self-congratulation. A few pithy examples will prove the point.
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Late last year, the online dance and electronica station RTS.FM celebrated its tenth anniversary. A new collection of sets and podcasts continues to shape a musical virtuality.
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
The two newest FFM releases have direct connections to the Russian capital. One has slowly moved towards Moscow; the other hopes somehow to escape.
Four dancefloor recordings, from very different locations in Russia and Lithuania, are linked by a sense of troubling, yet productive worry.