Crossover Jazz

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Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Starting Again: Viljandi Guitar Trio, Alpha-Beta, Wols, and Nikita Bondarev
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
Lyricism under Pressure: Naadya, Onuka, The Cancel, and KSKY
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
Mad, Bad, and Dangerous to Know: Fancy Music's Lermontov LP
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Tales of Solitude: Inna Zhelannaia, Naadya, Evgeny Grinko, and Megapolis
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
Happy55: "A Magic Word" (Voronezh, FFM25)
Happy55 are a jazz trio from the southern industrial city of Voronezh. Against that backdrop, and the weight of ailing history, these gifted performers find much value in improvisation and spontaneity.
Zimne: "Flying in Dreams and Daylight" (Novosibirsk, FFM23)
Novosibirsk's Zimne have released a second LP of metaphysical trip-hop. These new songs combine the core themes of earthbound romance, distant galaxies, and a painful gap between them.
Kubikmaggi (Saint Petersburg, FFM18)
"The band has trouble recalling specific dates. Its members instead neglect any chronology; in fact, they're barely able to count, giving all the time they've spent working with different time signatures"
Ameli na Meli (Aleksandra Obraztsova / Moscow, FFM14)
Aleksandra Obraztsova's intriguing stage-name is a play upon the title of Jean-Pierre Jeunet's 2001 feature "Amelie." Obraztsova authors her hushed, pensive songs using the alter ego of "Ameli na Meli."
Alina Os: The Acoustic EP (Moscow, FFM13)
Alina Os is a young exponent of acoustic hip-hop from the edge of Moscow. Her songs, just like her address, promise a little peace, quiet, and dignity on the periphery of Europe's biggest city.
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