Two new releases from FFM originate in distant places: Novosibirsk and the Kola Peninsula, above the Arctic Circle. In both cases, the musicians' address brings more benefit than inconvenience.
Four new publications, stretching from provincial Belarus to Vladivostok, look askance at social existence. The more crudity and/or banality it manifests, the more self-reliance comes to the fore.
Two new releases from FFM originate in Moscow and Kiev. A couple of solo performers travel parallel trajectories from self-doubt to a less disconcerting state, somewhere on the edge of aspiration.
Moscow's Highway Records is publishing a collection of deep- and tech-house tracks from around Russia. One commonality between the participants is an endorsement of self-education and diligence.
The importance of silence and solitude appears in four new publications. They emerge across considerable distances, all the way from some lightless forests in Karelia to the quieter, cobbled streets of Ukraine.
Afisha and Colta are arguably Moscow's two most influential music publications when it comes to finding or fostering new talent. As December begins, they both consider the musical year ahead - with some anxiety.
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)