Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
New electronic recordings from a range of outlying Russian cities draw parallels between their location and local history. A sense of distance transpires, both from cultural centers and the passage of time.
Some St. Petersburg electronic recordings discern a happy overlap between the workings of nature and a minimalist soundscape. Civic clamor, however, often sounds louder - and more crudely.
Originating in Minsk, Saint Petersburg, Yekaterinburg, and Moscow, four new publications discuss the strange benefits of faltering and failure. In a mundane world, mistakes are a sign of uniqueness.
Four electronic publications from Moscow and Yekaterinburg express concerns over the noise and crudity of present-day experience. As a result, retrospection and nostalgia both have appeal.
Performers from Moscow, Novosibirsk, Pskov, and Sevastopol cast a doubting eye on modern society. As a result, their materials grow quieter in anticipation of better, more isolated realms.