New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Minimal techno and bass publications from Moscow and Kiev bear an overarching theme this season: hard work. Their PR rhetoric, however, is not always enthusiastic.
New publications from Anton Maskeliade and Valotihkuu have a pedagogical intent. The former artist is actually a teacher; the latter hopes to champion the importance of noiseless humility.
Although none of these recordings are dance music in the strictest, most canonical sense, their dalliance with rhythmic escapism and abandon is crucial.
The new LP from Sal Solaris is dedicated to transgression, both in sound and society. Other electronic releases from various Russian cities ponder similar themes.
Against the backdrop of East European political and economic challenges, four recordings ponder the appeal of deconstructive gestures––rather than stately pomp.
A new and wide-ranging compilation of Lithuanian electronic producers has just appeared, entitled "Ritmo Kovos 4" (Beat Battle #1). It bears much social import.
From snowy Siberia to the medieval towns of Belarus, a range of new recordings are directly informed by their melancholy setting. A folk ensemble from Saint Petersburg pushes back––with a smile.
Moscow's Hyperboloid label has a New Year's compilation to announce, including six tracks from Raumskaya, Cadeu, Koloah, Fisky, A.Fruit, and Baked Milk.
An interwoven network of musicians in Saint Petersburg unveils a series of publications––almost simultaneously. Perhaps unsurprisingly, they all share common ideas and convictions.